Event
Matthias Geier (Q&U Lab, TU Berlin) : Object-based Audio Reproduction with the SoundScape Renderer
Thu, April 19, 2012, 10:00pm
Thursday, April 19, 2012 - 22:00
General Price
$0.00
Student Price
$0.00
Archive
CNMAT Flashback
A look back at some items in our archives.
Event
Open Sound West Presents: Golia, Adams, Stackpole, Mezzacappa Meeting and Lords of Outland
Sat, October 27, 2012, 4:00am
Saturday, October 27, 2012 - 04:00
General Price
$10.00
Student Price
$5.00
Event
Improv Weekend: Roundtable: Human/Technology Interactions
Sat, March 16, 2013, 10:15pm
Saturday, March 16, 2013 - 22:15
Archive Browser
Audio
Cindy Cox - En círculo (excerpt) 3-4
Performed by the San Francisco Contemporary Music Players, conducted by David Milnes
Audio
La mar amarga I
la mar amarga (2007) for piano trio
music by Cindy Cox
Graeme Jennings, violin, Leighton Fong, cello, and Christopher Jones, piano
Audio
La mar amarga II-III
la mar amarga (2007) for piano trio
music by Cindy Cox
Graeme Jennings, violin, Leighton Fong, cello, and Christopher Jones, piano
Audio
Playing a round II: Machinations
From keynote+'s UC Berkeley Noon Concert, recorded Spring 2008 at Hertz Hall (Robert Shumaker, sound engineer)
keynote+ is Jane Chapman (harpsichord) & Kate Ryder (prepared piano)
Audio
Playing a round III: Frame Switch
From keynote+’s UC Berkeley Noon Concert, recorded Spring 2008 at Hertz Hall (Robert Shumaker, sound engineer)
keynote+ is Jane Chapman (harpsichord) & Kate Ryder (prepared piano)
Audio
Playing a round IV: A note to follow sol
From keynote+’s UC Berkeley Noon Concert, recorded Spring 2008 at Hertz Hall (Robert Shumaker, sound engineer)
keynote+ is Jane Chapman (harpsichord) & Kate Ryder (prepared piano)
Audio
Playing a round V: Coming back
From keynote+’s UC Berkeley Noon Concert, recorded Spring 2008 at Hertz Hall (Robert Shumaker, sound engineer)
keynote+ is Jane Chapman (harpsichord) & Kate Ryder (prepared piano)
Audio
Edmund Campion, Corail
CORAILAdams.mp3
Steve Adams, Tenor Saxophone
Audio
17 (alternate mix)
Audio
Temper
for bass clarinet and live electronics,
production CNMAT / CIRM
Audio
i was 5, v was 14
for eight-channel digital recording; written to accompany choreography by Ondrea Ackermann
Audio
Melodrama, nach Beethoven
An electronic work based on Beethoven's Melodram for Glass Harmonica and Reciter. The piece uses a wide variety of electronic music techniques to create an unusual musical narrative. The piece was realized by Brian Kane while a graduate student in composition at Berkeley, using MAX/MSP, Audio Sculpt, Open Music and ProTools
Audio
Edmund Campion, What Goes Up...
What Goes Up...
Audio
Edmund Campion, A Complete Wealth of Time (ACWOT)
Audio
Edmund Campion, Astronomia
for Marimba and Quadraphonic Tape
Audio
Edmund Campion, Mathematica
Xavier Chabot, flute
Audio
Edmund Campion, Ellipsis
Full mp3 -
ELLIPSISII.mp3
Recorded at CNMAT in 2000-01
Edmund Campion, piano
members of the University Chorus at UC Berkeley, vocals
Released on CD, P.S.1 Volume: Bed of Sound
Audio
Edmund Campion, Metronome
All sound Edmund Campion- excerpt one of two
Audio
Edmund Campion, Metronome
All sound Edmund Campion- excerpt two of two
Audio
Edmund Campion, L'Autre
L'AUTRE.stereo.mp3
Live recording from the Berkeley Tempo Festival (2001) with Dan Kennedy, William Winant, percussion, Zach Maupin, horn, Agnes Lee, Harp and Lauren Carley, Soprano with David Milnes, Conducting