CNMAT has opened its doors again after a long COVID induced hiatus. Everyone in our fall 2021 community is excited to be back on site and engaged in research, teaching, and learning. We look forward to building our momentum again in this upcoming year. Stay tuned for what's to come!
Isabel Kaspriskie presents a quick overview of the CNMAT Odot on the Cycling74 Blog.
Link to the Cycling74 article on CNMAT Odot
Matt Schumaker (UCB Ph.D. 2015) joins the Arts Division of UC Santa Cruz as Assistant
Professor in Music, continuing his artistic research and teaching in the areas of computer
music and music technology.
Website: https://mattschumaker.com/
Schumaker composes concept-driven music arising from computer-assisted composition
and interactive computer music research, a practice that often joins musicians with
bespoke computer technologies in live performance. His work emerges from a parametric
SFCMP Director Eric Dudley speaks with composer, and CNMAT Director, Edmund Campion about the first concert in a new collaborative series with SFCMP.
Access the 10' conversation on the San Francisco Contemporary Music Players website (link).
Join SFCMP and CNMAT for the next Program set for December 19, 2021, presented at Root Division, San Francisco
The CNMAT newsletter for Spring 2021 is available here.
CNMAT welcomed Paul Dresher and Joel Davel Invented Instrument Duo to CNMAT on May 25, 2021 for a concert and lecture on the lawn at 1750 Arch Street. We look forward to the video documentation being posted on the CNMAT Youtube channel soon.
We are pleased to announce the release of odot version 1.3, which can now be downloaded directly through the Max Package Manager.
In addition to numerous enhancements, improvements, and bug fixes, this release contains a 12-part tutorial that covers many of the most important aspects of odot programming. This tutorial, based on years of experience using odot in practice and pedagogy, is a great entry point for new users, as well as an invaluable reference for paradigmatic solutions to common problems in media/arts programming.
***NOTE: This is an online only event. For more info, click here.***
This event premieres SUN, MAY 23, 2021 @3PM Pacific and is available on demand through JUNE 23, 2021.
Please note the following programmatic and personnel changes: 15 eyes by Jon Yu will not be performed on this concert. IMY/ILY by Amadeus Regucera has been added to the program. Percussionist, Andy Meyerson is soloist.
The CNMAT newsletter for Spring 2021 is available here.
Joins the team at the Norwegian University of Science and Technology NTNU as Associate Professor in Music Technology. Along with her commitment to creating dynamic and inclusive courses in Sound Art and Music Technology, she will be pursuing interdisciplinary research into the design of textural sonic environments and collaborating with colleagues to explore unstable performance systems.
The Eco Ensemble presents the 2021 Berkeley New Music Project.
Now Streaming on YouTube: https://youtu.be/bmkoEbxD3EE
Filmed during pandemic in Hertz Hall, April 18, 2021.
Program:
Screaming Shapes (2017) by Peter Shin
Obstructive Durations (2020) by Alfred Jimenez
Secular Love (2020) by Adrián Montúfar
Untitled (2019) by Nathan Corder
Collaborative Research Seminar HI 295
Carmine Cella
Music; Center for New Music and Audio Technologies
Lisa Wymore
Theater, Dance & Performance Studies
Greg Niemeyer
Art Practice; Berkeley Center for New Media
WHAT ROLE WILL THE ARTS & HUMANITIES PLAY IN THE FUTURE OF OUR
TECHNOLOGICALLY DRIVEN WORLD? What does data feel like, how does it touch us, and how do we
touch it? Who is influencing our machines with regard to how they see and understand the human
