J.J. Burred is in residence this fall as a visiting scholar. He will be working closely with Carmine Emanuale Cella on machine learning methods for synthesis and orchestration and, in particular, about creative applications of sound source separation methods.
Professor Carmine-Emanuele Cella's Orchidea was featured in the Computer Music Journal (2021) 45:4. The issue published 2 articles on the sophisticated software that enables computer-aided orchestration.
Composer, Kaija Saariaho died on June 2, 2023. In the Fall of 2015, Ms. Saariaho was the Bloch Lecturer in the Department of Music at the University of California, Berkeley. Her husband Jean-Baptiste Barrière was the holder of the CNMAT David Wessel Residency in Music and Science. Edmund Campion conducted lengthy interviews with Kaija and Jean-Baptiste throughout their stay. Her presence at CNMAT was one of the highlights of the last decade.
Jean Bresson has made incremental updates to CNMAT's Tesselate library to allow it to run under Open Music 7.2 as well as OM#. Download the updated version here: https://github.com/CNMAT/CNMAT-OM/releases/tag/v0.3
The Vernon Salon Series, hosted by Anne Rainwater (https://annerainwater.com/vernonsalonseries/), will present CNMAT affiliated composer and vocalist Sarah Grace Graves on March 10 at 7:30 PM PST. Her program is called Circular Song: an evening of hushed, recursive music, featuring works by Joan La Barbara, Erin Gee, Giacinto Scelsi/Michiko Hirayama, John Cage and herself.
On March 3, 2023 at 10am CNMAT will host an open lecture/presentation where Linda Bouchard will introduce her custom tool OCULAR SCORES for the creation of graphical notation from the analysis of complex sounds. She has been developing this tool since 2018 as a resident researcher at matralab, Concordia University in Montreal with Joseph Browne, the designer. She will present her work on ocular scores with the participation of Carmine Cella, Jeffrey Lubow and Ellen Ruth Rose.
The Hinge ensemble will be in residence at CNMAT this spring to work with CNMAT affiliated composers: Eda Er, George Papajohn, Sarah Grace Graves and Kevin Lo. The residency will culminate in a concert at CNMAT on March 25th.
Artistic Director of the Brussels International Acousmatic Festival L'Espace du Son, Annette Vande Gorne, professor emeritus at the Royal Conservatories of Brussels and Mons, will present a multi-channel acousmatic concert of her electro-acoustic work Complete Haikus (New Year's Day, Spring, Summer, Autumn, Winter) 2016-2020 (57'). The one-hour composition will be diffused in the CNMAT main room in a special multi-channel mix performed live by Annette Vande Gorne.
gamin will be in concert at CNMAT on February 18, 2023 at 8pm with graduate student composers Dion Nataraja and Mat Muntz.
CNMAT’s lead researcher, Carmine-Emanuele Cella's new composition, I am in blood, wil be given a world premiered at IRCAM’s Espace de projection on February 16, 2023.
I am in blood, commissioned by IRCAM, marks a culmination of Calla’s research in and exploration of assisted orchestration which integrates artificial intelligence, spatialization and the augmentation of instruments.
https://www.ircam.fr/agenda/spectral-pop/detail
CNMAT affiliated composer and UCB Department of Music Ph.D., Didem Coskunseven, is featured on the upcoming Spectral-Pop Concert at IRCAM's Espace de projection on February 16th, 2023.
Graduate composition student Luke Dzwonczyk’s piece The Oratory of Saint Philip Neri was presented at the 23rd International Society for Music Information Retrieval Conference (ISMIR 2022) as part of the music program. The conference ran from December 4th to 8th in a hybrid format in Bengaluru, India.
The piece, which was written by various computer programs, explores computational creativity, the ability of computers to create music, and the way humans interpret art made by machines.
