A look back at some items in our archives.
The Department of Music at the University of California, Berkeley invites applications for a pool of qualified temporary instructors to teach any of the following areas:
Music and technology involving CNMAT technologies and Max/MSP programming.
Special topic courses involving software programming for musical applications of computers.
Music courses focusing on music perception and cognition.
Music appreciation courses with an emphasis on music software and lab-based learning.
The Music Department offers these courses as a series every year as part of the elective undergraduate curriculum. Qualified candidates may be eligible to teach more than one of these courses. Responsibilities include classroom teaching, holding office hours, grading class assignments, directing final projects and classroom performances.
Here's a preview of upcoming events at CNMAT for Fall 2018 and Spring 2019:
Concert , September 2018
Carl Stone + Soo Yoen Lyuh - Haegeum
Sponsored by composers, Clara Olivares and Curtis Rumrill
It was a long-distance duet — a violist on Faculty Glade and a carillonist (UC Berkeley Carillonist, Jeff Davis) in the towering Campanile. They couldn’t see or communicate with each other, but their Thursday noontime concert, part of a music department course called Music Now, was a successful exercise in performing across a large space.
CNMAT is pleased to announce the appointment of Mr. Carmine Emanuele Cella as Assistant Professor in Music and Technology in the Department of Music at the University of California, Berkeley. Professor Cella will begin researching and teaching at CNMAT in the Spring of 2019.
Telfair Museums presents a Contemporary Spotlight commission with American composer, vocalist, and improvisor Ken Ueno (American, b. 1970) off-site at the Cluskey Embankment Stores, or “Cluskey Vaults” in Historic Downtown, Savannah, GA.
Rather than look back on our 30 years in retrospect, I decided the best way to celebrate the series would be to continue doing what we have been doing: presenting a stylistically varied season comprising composers, interpreters, and improvisers, both emerging and established, local and international, each of whom has a unique approach to music making. Thomas Buckner, Producer & Director
CNMAT is happy to welcome our Graduate Composers, Graduate Student Researchers, Visiting Guest Researchers, and Artists for the 2018-19 Academic Year.
Assisted orchestration can be thought as the process of searching for the best combinations of orchestral sounds to match a target sound under specified metric and constraints. Although a solution to this problem has been a long-standing request from many composers, it remains relatively unexplored because of its high complexity, requiring knowledge and understanding of both mathematical formalization and musical writing.
CNMAT presented virtual reality and augmented reality demonstrations at the Annual Berkeley AR/VR Retreat on November 30, 2018, at the Claremont Hotel in Berkeley, California.
The CNMAT team included: Jeremy Wagner, Researcher, and Composer; Andrew Blanton, Visiting Researcher; Edmund Campion, Director, CNMAT; and Giovanni Santini, Composer, and Researcher.
Image: Professor Eric Paulos, EECS, trying out the CNMAT 24-channel spatial audio demonstration.
The Université Côte d’Azur and UC Berkeley have signed a Memorandum of Understanding (MOU) on December 8, 2018. This partnership will facilitate the development of research and education projects, as well as encourage the exchange of faculty and students in all disciplines.
M.A./Ph.D. composition student, Andrew Harlan, will have his newest work, HYPHA, performed by the New York Ensemble, loadbang, on March 7th at 7:30 pm at the National Opera Center in Brooklyn, NY. The work was commissioned after Harlan won first prize in the ensemble’s 2017 commission competition. The concert will also feature a world premiere by Chaya Czernowin, a NY premiere by Andrew List, and works by John Cage and Helmut Oehring.
UC Berkeley faculty composer Carmine-Emanuele Cella was selected as a finalist in the 2019 Basel Composition Competition. His piece "Verso la fine del Giorno" was performed on 22 February 2019.
The Department of Music at the University of California, Berkeley invites applications for a
pool of qualified temporary instructors to teach any of the following areas:
Music and technology involving CNMAT technologies and Max/MSP programming.
Special topic courses involving software programming for musical applications of computers.
Music courses focusing on music perception and cognition. Music appreciation courses with
an emphasis on music software and lab-based learning.
Running from April 18 through July 17, 2019, between 7 a.m. and 9 p.m., the downtown BART plaza will feature a new immersive sound installation called "Berkeley Rain" by composer and sound artist Edmund J. Campion.
Workshop on Surface Transducers and Reembodied Sound Composition and Installation
August 17-18, 2019
CNMAT, 1750 Arch St., Berkeley
Instructor: Matthew Goodheart
Fee: $150
A hands-on introductory workshop on the use of surface transducers/speakers. The workshop will cover current practices in composition and sound installation, technical issues surrounding transducer usage, and a practical introduction to techniques and processes.
Topics:
ODOT IMMERSION COURSE
August 19-22, 2019
CNMAT, 1750 Arch St., Berkeley
Instructors: Jeff Lubow and John MacCallum, guest speakers
Fee: $250
This course will guide students through the odot (o.) programming toolkit for Max/MSP. Odot was designed to support the rapid and robust development of time-based media / arts applications. This course is tailored to artists and developers from any background working with time-based media.
Alice is a four channel XR piece created by Media Artist Claudia Hart for exhibition with a Vive VR environment. This version was produced for The Transfer "Download," curated by Kelani Nichole, for a special presentation at Christie’s Rockefeller Plaza in conjunction with their ART + TECH Summit on AI from June 25–28, 2019.
Music by Danielle DeGruttola
Recording and Audio Mix by Edmund Campion
Editing by Meredith Leich
The Center for New Music and Audio Technologies is pleased to be a partner in the Technologies of Notation and Representation (TENOR) Network and will be hosting related events at UC Berkeley in the 2019-20 academic year.
Date and Time: Friday, August 2nd, 8-10pm
Location: Chabot Space and Science Center Planetarium
Another successful summer workshop featuring instructors Jeff Lubow and John MacCallum. Thanks to all of the participants, guests and supporters.