Biblio
Found 289 results
2003
J. A. Rodenas, Aarts, R. M., and Janssen, A., “Derivation of an optimal directivity pattern for sweet spot widening in stereo sound reproduction”, The Journal of the Acoustical Society of America, vol. 113, pp. 267-278, 2003.
P. Kassakian and Wessel, D., “Design of Low-Order Filters for Radiation Synthesis”, in 115th Audio Engineering Society Conventtion, New York, NY, 2003, p. Convention Paper 5925.
M. Wright, Freed, A., and Momeni, A., “Open Sound Control: State of the Art 2003”, in International Conference on New Interfaces for Musical Expression, Montreal, 2003, pp. 153-159.
2002
R. Andrews, “Center for New Music and Audio Technologies (CNMAT): Studio Report”, in International Computer Music Conference, Gteborg, Sweden, 2002, pp. 440-443.
M. Zbyszynski, “Daguerreotype”. 2002.
V. Iyer, “Embodied Mind, Situated Cognition, and Expressive Microtiming in African-American Music”, Music Perception, vol. 19, p. 387414, 2002.
D. Wessel, Wright, M., and Schott, J., “Intimate Musical Control of Computers with a Variety of Controllers and Gesture Mapping Metaphors”, in International Conference on New Interfaces for Musical Expression (NIME), Dublin, Ireland, 2002, pp. 171-173.
D. Wessel, “Live interactive computer music and performance practice”, Journal of the Acoustical Society of America, vol. 3, pp. 2348-2348, 2002.
A. Chaudhary, “Open Sound World”, 2002.
M. Wright, “Problems and Prospects for intimate and satisfying sensor-based control of computer sound”, in Symposium on Sensing and Input for Media-Centric Systems (SIMS), Santa Barbara, CA, 2002, pp. 1-6.
D. Wessel and Wright, M., “Problems and Prospects for Intimate Musical Control of Computers”, Computer Music Journal, vol. 26, pp. 11-22, 2002.
D. Wessel, Wright, M., and Schott, J., “Situated Trio: An Interactive Live Performance for a Hexaphonic Guitarist and Two Computer Musicians with Expressive Controllers”, in International Conference on New Interfaces for Musical Expression (NIME), Dublin, Ireland, 2002, pp. 171-173.
O. Warusfel, Blauert, J., and Wessel, D., “Synopsis of reverberation enhancement systems”, in Proceedings of the 3rd European Congress on Acoustics, Sevilla, Spain, 2002.
2001
R. Andrews, “CNMAT Studio Report”, in International Computer Music Conference, Habana, Cuba, 2001, pp. 393-396.
J. Baird, Meyer, J., Meyer, P., Kassakian, P., and Wessel, D., “Controlling Loudspeaker Array Radiation in Three Dimensions”, in 111th Audio Engineering Society Convention, New York, NY, 2001, p. Convention Paper.
O. Warusfel and Misdariis, N., “Directivity Synthesis with a 3D Array of Loudspeakers, Application for Stage Performance”, in DAFX, 2001.
A. Chaudhary, Wessel, D., and Rowe, L. A., “Listener Evaluation of Reduction Strategies for Sinusoidal and Resonance Models”, in International Computer Music Conference, Habana, Cuba, 2001, pp. 227-230.
M. Wright, Freed, A., Lee, A., Madden, T., and Momeni, A., “Managing Complexity with Explicit Mapping of Gestures to Sound Control with OSC”, in International Computer Music Conference, Habana, Cuba, 2001, pp. 314-317.
A. S. Chaudhary, “Perceptual Scheduling in Real-time Music and Audio Applications”, University of California, Berkeley, 2001.
T. Madden, Smith, R. Bruce, Wright, M., and Wessel, D., “Preparation for Interactive Live Computer Performance in Collaboration with a Symphony Orchestra”, in International Computer Music Conference, Habana, Cuba, 2001, pp. 310-313.
C. Cox, “World a Tuning Fork”. World a Tuning Fork Press, Oakland, CA, 2001.
2000
M. Wright, Beauchamp, J., Fitz, K., Rodet, X., Rbel, A., Serra, X., and Wakefield, G., “Analysis/Synthesis Comparison”, Organised Sound, vol. 5, pp. 173-189, 2000.
R. Andrews, “Center for New Music and Audio Technologies (CNMAT): Studio Report”, in International Computer Music Conference, Berlin, Germany, 2000, pp. 417-420.
D. Schwarz and Wright, M., “Extensions and Applications of the SDIF Sound Description Interchange Format”, in International Computer Music Conference, Berlin, Germany, 2000, pp. 481-484.