Biblio

A. Kaup, Freed, A., Khoury, S., and Wessel, D., “Volumetric Modeling of Acoustic Fields for Musical Sound Design in a New Sound Spatialization Theatre”, in International Computer Music Conference, Beijing, China, 1999, pp. 488-491.

A. Chaudhary, Freed, A., Khoury, S., and Wessel, D., “A 3D Graphical User Interface for Resonance Modeling”, in International Computer Music Conference, Ann Arbor, Michigan, 1998.

A. Chaudhary, “Band-Limited Simulation of Analog Synthesizer Modules by Additive Synthesis”, in Audio Engineering Society 104th Convention, San Francisco, CA, 1998.

A. Freed and Wright, M., “CAST: CNMAT's Additive Synthesis Tools”, CNMAT, 1998.

A. Freed and Wessel, D., “Communication of Musical Gesture using the AES/EBU Digital Audio Standard”, in International Computer Music Conference, Ann Arbor, Michigan, 1998, pp. 220-223.

R. Irizarry, “A Direct Adaptive Window Size Estimation Procedure for Parametric Sinusoidal Modeling”, in International Computer Music Conference, University of Michigan, Ann Arbor, 1998.

M. Wright, “Implementation and Performance Issues with OpenSound Control”, in International Computer Music Conference, Ann Arbor, Michigan, 1998, pp. 224-227.

M. Wright and Wessel, D., “An Improvisation Environment for Generating Rhythmic Structures Based on North Indian "Tal" Patterns”, in International Computer Music Conference, Ann Arbor, Michigan, 1998, pp. 125-128.

V. Iyer, “Microstructures of Feel, Macrostructures of Sound: Embodied Cognition in West African and African-American Musics”, University of California at Berkeley, Berkeley, 1998.

A. Freed and Chaudhary, A., “Music Programming with the new Features of Standard C++”, in International Computer Music Conference, Ann, Arbor, Michigan, 1998, pp. 244-247.

M. Wright, Chaudhary, A., Freed, A., Wessel, D., and Rodet, X., “New Applications of the Sound Description Interchange Format”, in Proc. ICMC, 1998, vol. 98.

M. Wright, Chaudhary, A., Freed, A., Wessel, D., Rodet, X., Virolle, D., Woehrmann, R., and Serra, X., “New Applications of the Sound Description Interchange Format”, in International Computer Music Conference, Ann Arbor, Michigan, 1998, pp. 276-279.

A. Chaudhary, Freed, A., and Rowe, L. A., “OpenSoundEdit: An Interactive Visualization and Editing Framework for Timbral Resources”, in International Computer Music Conference, Ann, Arbor, Michigan, 1998.

A. Chaudhary, “OpenSoundEdit: An Interactive Visualization and Editing Framework for Timbral Resources”, UC Berkeley, Berkeley, CA, 1998.

D. Wessel, Wright, M., and Khan, S. Ali, “Preparation for Improvised Performance in Collaboration with a Khyal Singer”, in International Computer Music Conference, Ann Arbor, Michigan, 1998, pp. 497-503.

A. Freed, “Real-Time Inverse Transform Additive Synthesis for Additive and Pitch Synchronous Noise and Sound Spatialization”, in Audio Engineering Society 104th Convention, San Francisco, CA, 1998.

D. Wessel, Drame, C., and Wright, M., “Removing the Time Axis from Spectral Model Analysis-Based Additive Synthesis: Neural Networks versus Memory-Based Machine Learning”, in International Computer Music Conference, Ann Arbor, Michigan, 1998, pp. 62-65.

R. Irizarry, “Statistics and Music: Fitting a Local Harmonic Model to Musical Sound Signals”, UC Berkeley, Berkeley, CA, 1998.

S. Khoury, Freed, A., and Wessel, D., “Volumetric Modeling of Acoustic Fields in CNMAT's Sound Spatialization Theatre”, in Audio Engineering Society 104th Convention, San Francisco, CA, 1998.

S. Khoury, Freed, A., and Wessel, D., “Volumetric Visualization of Acoustic Fields in CNMAT's Sound Spatialization Theatre”, in Institute of Electrical and Electronics Engineers Visualization 98, Research Triangle Park, NC, 1998, pp. 439-442 and 562.

M. Goodwin, “Adaptive Signal Models: Theory, Algorithms, and Audio Applications”, UNIVERSITY of CALIFORNIA, 1997.

M. Goodwin and Vetterli, M., “Atomic decompositions of audio signals”, in Applications of Signal Processing to Audio and Acoustics, 1997. 1997 IEEE ASSP Workshop on, New Paltz, NY, 1997, pp. 4-7.

A. Freed and Jehan, T., “Database of Challenging Musical Sounds for Evaluation and Refinement of Pitch Estimators”, in ICMC, Thessaloniki, Hellas, 1997, p. [not published].

J. Butch Rovan, Wanderley, M. M., Dubnov, S., and Depalle, P., “Instrumental Gestural Mapping Strategies as Expressivity Determinants in Computer Music Performance”, in KANSEI - The Technology of Emotion, 1997.

A. Freed, “Inverse Transform Narrow Band/Broad Band Sound Synthesis”, U.S. Patent 56866831997.