Biblio
Found 289 results
2011
N. Peters and W., S. Andrew, “Beamforming using a spherical microphone array based on legacy microphone characteristics”, in International Conference on Spatial Audio, Detmold, Germany, 2011.
N. Peters and Jonas, B., “Compensation of Undesired Doppler Artifacts in Virtual Microphone Simulations”, in DAGA - Deutsche Jahrestagung fr Akustik , Dsseldorf, Germany, 2011.
A. Freed, MacCallum, J., and Schmeder, A., “Composability for Musical Gesture Signal Processing using new OSC-based Object and Functional Programming Extensions to Max/MSP”, in New Interfaces for Musical Expression, Oslo, Norway, 2011.
A. Freed, “Diverse Roles of Objets Trouvs in Live Solo Visual Music Practice”, in Understanding VISUAL Music 2011, Montreal, CA, 2011.
A. Freed, MacCallum, J., and Schmeder, A., “Dynamic, Instance-based, Object-Oriented Programming (OOP) in Max/MSP using Open Sound Control (OSC) Message Delegation”, in ICMC 2011, Huddersfield, England, 2011.
E. Battenberg and Avizienis, R., “Implementing Real-Time Partitioned Convolution Algorithms on Conventional Operating Systems”, in DAFX 2011, Paris, France, 2011.
Y. Mann and Freed, A., “Pervasive Cameras: Making Sense of Many Angles using Radial Basis Function Interpolation and Salience Analysis”, in Pervasive 2011, San Francisco, CA, 2011.
J. Colmenares, Ian, S., Battenberg, E., Avizienis, R., Peters, N., Asanovic, K., Kubiatowicz, J. D., and Wessel, D., “REAL-TIME MUSICAL APPLICATIONS ON AN EXPERIMENTAL OPERATING SYSTEM FOR MULTI-CORE PROCESSORS”, in ICMC 2011, Huddersfield, England, 2011.
J. - S. Roh, Freed, A., Mann, Y., and Wessel, D., “Robust and Reliable Fabric, Piezoresistive Multitouch Sensing Surfaces for Musical Controllers”, in NIME 2011, 2011.
N. Peters, Braasch, J., and McAdams, S., “Sound Spatialization Across Disciplines Using Virtual Microphone Control (ViMiC)”, Journal of Interdisciplinary Music Studies, vol. 5, pp. 167-190, 2011.
N. Peters and W., S. Andrew, “Synthesizing classic recording microphones characteristics using a spherical microphone array (A)”, J. Acoust. Soc. Am., presented at the 162th Meeting of the Acoustical Society of America, vol. 130, p. 2507, 2011.
2010
E. Battenberg, Freed, A., and Wessel, D., “Advances in the Parallelization of Musical Applications”, in ICMC 2010, 2010.
A. Schmeder, Freed, A., and Wessel, D., “Best Practices for Open Sound Control”, in Linux Audio Conference, Utrecht, NL, 2010.
A. Freed, “The Fingerboard Instruments: Recontextualizing Lutherie without Strings ”, in 3rd Music and Cognition Conference, McGill University, Montreal, 2010.
A. Schmeder and Freed, A., “Support Vector Machine Learning for Gesture Signal Estimation with a Piezo Resistive Fabric Touch Surface”, in NIME, Sydney, Australia, 2010.
K. Ryokai, Raffle, H., Horri, H., and Mann, Y., “Tangible Video Bubbles”, in CHI 2010, Atlanta, Georgia, 2010.
J. MacCallum and Schmeder, A., “Timewarp: A Graphical Tool for the Control of Polyphonic Smoothly Varying Tempos”, in International Computer Music Conference, New York, 2010.
A. Freed, MacCallum, J., Schmeder, A., and Wessel, D., “Visualizations and Interaction Strategies for Hybridization Interfaces ”, in New Instruments for Musical Expression, Sydney, Australia, 2010.
2009
A. Einbond, Schwarz, D., and Bresson, J., “Corpus-based Transcription as an Approach to the Compositional Control of Timbre ”, in International Computer Music Conference, 2009.
A. Schmeder, “Efficient Gesture Storage and Retrieval for Multiple Applications Using a Relational Data Model of Open Sound Control”, in ICMC 2009, 2009.
A. Schmeder, “An Exploration of Design Parameters for Human-Interactive Systems with Compact Spherical Loudspeaker Arrays”, in Ambisonics Symposium, Graz, Austria, 2009.
A. Freed and Schmeder, A., “Features and Future of Open Sound Control version 1.1 for NIME”, in NIME, 2009.
P. Loui, Wu, E. H., Wessel, D. L., and Knight, R. T., “A Generalized Mechanism for Perception of Pitch Patterns”, Journal of Neuroscience, vol. 29, pp. 454-459, 2009.