A look back at some items in our archives.
One of three video excerpts from ‘Persistent Vision’ of Edmund Campion, Carol Murota, Ali Momeni
One of three video excerpts from ‘Persistent Vision’ of Edmund Campion, Carol Murota, Ali Momeni
One of three video excerpts from 'Persistent Vision' of Edmund Campion, Carol Murota, Ali Momeni
One of three video excerpts from 'Persistent Vision' of Edmund Campion, Carol Murota, Ali Momeni
Excerpt of Patrice Balter performing Edmund Campion's ME in Nice, 2002.
One of three video excerpts from ‘Persistent Vision’ of Edmund Campion, Carol Murota, Ali Momeni
Edmund Campion discusses his composition for vibraphone and tape, "Losing Touch" for a French television program. In this excerpt, he outlines the compositional and electronic techniques that went into its creation. The collaborative process between composer and performer is touched upon here as well.
Edmund Campion discusses his composition for vibraphone and tape, "Losing Touch" for a French television program. In this excerpt, he outlines the compositional and electronic techniques that went into its creation. The collaborative process between composer and performer is touched upon here as well.
Here the drum fills are sprinkled with figures from the bass and bass clarinet. Could these passages have been composed with notation and then rehearsed? Yes, but I think the phrasing would not have been as spontaneous.
This comes from the title track, one of my favorites. The violin’s rugged ostinato serves as a backdrop for lush ensemble harmonies and strange quasi-melodies.
Ron Smith discusses his work "Constellation" for orchestra and live electronics on the television program techTV. The role of CNMAT in the work is also discussed, featuring David Wessel.
Frank Gratkowski, David Wessel, Nils Bultmann Live performance 2007 at CNMAT
excerpt
Footage of test pattern with the RGB monome clone- Currently under development.
Will post back with more soon.
-jml
Donovan asks about power and bussing from the CUI