Mathematica, for solo flute(s) and quadriphonic tape is the first from a set of four pieces entitled Quadrivium. The four pieces in Quadrivium are designed to be played either individually or together as a complete uninterrupted cycle. All the pieces are committed in one way or another to exploring the spatialization of sound.
Losing Touch (duration 11') for vibraphone and fixed electronics was composed in 1994. The piece is published by Billaudot Editions (Catalog #GB7027) in Paris (Theodor Presser, US representative). A complete published edition with rehearsal CD and mono performance tape is available for student performance from several on-line dealers.
A Complete Wealth of Time (duration 17') (1989-90), for two pianos was composed while the composer was in France on a Fulbright Scholarship working with Gérard Grisey.
ADKOM (A Different Kind of Measure), composed by Edmund Campion (2001-present), is written for four percussionists equipped with special in-ear computer generated clicktracks. The piece is divided into seven short etudes, with each exploring a different aspect of musical time.