Georg Graewe/George Marsh/David Wessel, Improvisation
Excerpt form CNMAT concert -- 11.20.2000
Georg Graewe, piano,
George Marsh, percussion,
David Wessel, live electronics
Excerpt form CNMAT concert -- 11.20.2000
Georg Graewe, piano,
George Marsh, percussion,
David Wessel, live electronics
Excerpt from CNMAT concert -- 6.20.2000
Georg Graewe, piano,
George Marsh, percussion,
David Wessel, live electronics
NATURAL SELECTION (NAT-SEL) a real-time performance environment for computer and midi-equipped acoustic piano, 1996-present.
Practice
For full orchestra and computer
In association with the Center for New Music and Audio Technologies (CNMAT), UC Berkeley
Selected Performance History:
American Composers Orchestra, Carnegie Hall, March 17, 2006 (premiere)
American Composers Orchestra, Annenberg Center, Philadelphia, March 18
Berkeley Symphony with Kent Nagano, June, 2006 (Full Orchestral Version)
(The text that follows is adapted from a text by Beth E. Levy. The full text can be found in the liner notes of the Edmund Campion/SFCMP Outside Music CD, Albany Records Troy 1037)
For string orchestra and computer driven electronics
University of California, Berkeley Symphony Orchestra, David Milnes
2001-02 Persistent Vision , interactive computer music with dance
About CORAIL
CORAILAdams.mp3
Steve Adams, Tenor Saxophone
Playback, (seven evening-length performances), Agora Festival, IRCAM, Paris, June 7-13, 1999
Playback, IRCAM production, Lausanne, Switzerland, September
Playback, IRCAM production, Metz, France, March, 2000
Année de composition : 1999
Durée : 90 mn
Information sur la création
Commande : SACD (Société des auteurs et compositeurs dramatiques - Action culturelle) et Ircam