Biblio

A. Freed, “David Wessels Slabs: a case study in Preventative Digital Musical Instrument Conservation”, in SMC2016, Hamburg, 2016.

X. Wei Sha, Solomonova, E., Freed, A., Veissire, S., Formis, B., and MacCallum, J., “Experimental Collective Experience”, UC Irvine, 2016.

R. Valle, Fremont, D. J., Akkaya, I., Donze, A., Freed, A., and Seshia, S. S., “Learning and Visualizing Music Specifications Using Pattern Graphs”, in International Society for Music Information Retrieval Conference, New York, 2016.

A. Freed, “Sounds from the Electrified Human Body: Reconfigurations of Embodied and Encultured Knowledge from the development of Electrosomatophones”, in Bodies of Knowledge BOK2016, UC Irvine, 2016.

R. Valle, Donz, A., Fremont, D., Akkaya, I., Seshia, S., Freed, A., and Wessel, D., “Specification Mining For Machine Improvisation With Formal Specifications”, ACM : Computers in Entertainment (Musical Metacreation), 2016.

A. Freed and Wessel, D., “An Accessible Platform for Exploring Haptic Interactions with Co-located Capacitive and Piezoresistive Sensors”, in TEI 2015, Stanford, California, 2015.

J. MacCallum, Goodheart, M., and Freed, A., “Antony: A Reimagining”, in International Computer Music Conference, University of North Texas, Denton, TX, USA, 2015.

R. Valle and Freed, A., “Batera : Drummer Agent with Style Learning and Interpolation”, in Study Day On Computer Simulation Of Musical Creativity, University of Huddersfield, UK, 2015.

S. Madgwick, Mitchell, T., Barreto, C., and Freed, A., “Simple Synchronization for Open Sound Control”, in ICMC, Texas, 2015.

R. Valle and Freed, A., “Symbolic Music Similarity using Neuronal Periodicity and Dynamic Programming”, Mathematics and Computation in Music. Springer, London, UK, 2015.

T. Mitchell, Madgwick, S., Rankine, S., Hilton, G., Freed, A., and Andrew, N., “Making the Most of Wifi: Optimisations for Robust Wireless Live Music Performance”, in New Instruments of Musical Expression, 2014.

J. MacCallum, Freed, A., and Wessel, D., “New Tools for Aspect-Oriented Programming in Music and Media Programming Environments”, in International Computer Music Conference, Athens, Greece, 2014.

A. Freed, DeFilippo, D., Gottfried, R., MacCallum, J., Lubow, J., Razo, D., Rostovtsev, I., and Wessel, D., “o.io: a Unified Communications Framework for Music, Intermedia and Cloud Interaction”, in ICMC, Athens, Greece, 2014.

J. MacCallum, Freed, A., and Wessel, D., “Agile Interface Development using OSC Expressions and Process Migration”, in NIME, Daejeon Korea, 2013.

J. Rowland and Freed, A., “Colocated Surface Sound Interaction”, in SigCHI, Paris, France, 2013.

A. Freed, Uitti, F. - M., Mansfield, S., and MacCallum, J., “Old is the new New: a Fingerboard Case Study in Recrudescence as a NIME Development Strategy”, in NIME, Daejeon Korea, 2013.

J. Rowland and Freed, A., “Flexible Surfaces for Interactive Audio”, in Interactive Tabletops and Surfaces, Cambridge, MA, 2012.

A. Freed, “Integration of Touch Pressure and Position Sensing with Speaker Diaphragms (Colocating Loudspeakers and Touch Interaction)”, in Audio Engineering Society, San Francisco, 2012.

A. Freed, “The Paper FingerPhone: a case study of Musical Instrument Redesign for Sustainability”, in NIME 2012 (Best Poster Award), Ann Arbor, Michigan, 2012.

A. Freed, MacCallum, J., and Schmeder, A., “Composability for Musical Gesture Signal Processing using new OSC-based Object and Functional Programming Extensions to Max/MSP”, in New Interfaces for Musical Expression, Oslo, Norway, 2011.

A. Freed, “Diverse Roles of Objets Trouvs in Live Solo Visual Music Practice”, in Understanding VISUAL Music 2011, Montreal, CA, 2011.

A. Freed, MacCallum, J., and Schmeder, A., “Dynamic, Instance-based, Object-Oriented Programming (OOP) in Max/MSP using Open Sound Control (OSC) Message Delegation”, in ICMC 2011, Huddersfield, England, 2011.

Y. Mann and Freed, A., “Pervasive Cameras: Making Sense of Many Angles using Radial Basis Function Interpolation and Salience Analysis”, in Pervasive 2011, San Francisco, CA, 2011.

J. - S. Roh, Freed, A., Mann, Y., and Wessel, D., “Robust and Reliable Fabric, Piezoresistive Multitouch Sensing Surfaces for Musical Controllers”, in NIME 2011, 2011.

E. Battenberg, Freed, A., and Wessel, D., “Advances in the Parallelization of Musical Applications”, in ICMC 2010, 2010.