Ken Ueno

Ken Ueno, is a composer, vocalist, improviser, and sound artist.  His music celebrates artistic possibilities which are liberated through a Whitmanesque consideration of the embodied practice of unique musical personalities. Much of Ueno’s music is “person-specific” wherein the intricacies of performance practice are brought into focus in the technical achievements of a specific individual fused, inextricably, with that performer’s aura. In an increasingly digitized world, “person-specificity” takes a stand against the forces that render all of us anonymous. It also runs counter to the neo-colonial tradition of transportability in Western Classical music. As an outsider, Ueno has been drawn to sounds that have been overlooked or denied. His artistic mission is to push the boundaries of perception and challenge traditional paradigms of beauty.

As a sound artist, Ueno collaborates with visual artists, architects, and video artists to create unique cross-disciplinary art works. For the artist, Angela Bulloch, he created several audio installations (driven with custom software), which provide audio input that affect the way her mechanical drawing machine sculptures draw. These works have been exhibited at Art Basel as well as at Angela’s solo exhibition at the Wolfsburg Castle. In collaborating with the architect, Patrick Tighe, Ueno created a custom software-driven 8-channel sound installation that provided the sonic environment for Tighe’s robotically carved foam construction. Working with the landscape architect, Jose Parral, he collaborated on videos, interactive video installations, and a multi-room intervention at the art space Rialto, in Rome, Italy. In 2013, Ueno created a 24-channel audio installation, Liquid Lucretius, which was installed at the Museo Universitario Arte Contemporáneo in Mexico City for two months. Breath Cloud, a sound installation with 90-speakers was commissioned and installed at the Taipei Fine Arts Museum in May, 2014. 2014 also saw the opening of his collaboration with the architect, Thomas Tsang, at the Inside-Out Museum in Beijing. The software-driven work sonically activates a stairwell as a resonant chamber, which leads to a sonic aperture with an opening outside the building, effectively turning the building into a large wind instrument. More recent sound installations have been commissioned by the RISD Art Museum and the Bi-City Bienniale of Urbanism/Architecture in Shenzhen, China. More recently, he has created installation performances at galleries in Guangzhou, and spaces in Taiwan, and Savannah, GA (commissioned by the Telfair Museum).