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Abstract
We present here flat flexible audio speaker surface arrays, which are transparent, formed to various environments, and allow for user interaction. These speaker arrays provide an alternative to traditional models of sound reproduction, which often involve discreet point source systems and bulky hardware passively received by the user. The surface array system opens up new possibilities for acoustic spaces, creativity, and sound interactivity
Author Keywords
Paper Speakers; Flexible Audio Array; Interactive Electronics
ACM Classification Keywords

Publication

Maxines Turing Test A Player-Program as Co-Ethnographer of Socio-Aesthetic Interaction in Improvised Music

R. Banerji, “Maxines Turing Test A Player-Program as Co-Ethnographer of Socio-Aesthetic Interaction in Improvised Music”, 1st International Workshop on Musical Metacreation. Association for the Advancement of Artificial Intelligence, Stanford University, 2012.

Publication

Decoding Auditory Attention (in Real Time) with EEG

E. Lalor, Mesgarani, N., Rajaram, S., ODonovan, A., Wright, J., Choi, I., Brumberg, J., Ding, N., Lee, K. C., Peters, N., Ramenahalli, S., Pompe, J., Shinn-Cunningham, B., Slaney, M., and Shamma, S., “Decoding Auditory Attention (in Real Time) with EEG”, 37th ARO MidWinter Meeting. Association for Research in Otolaryngology, Baltimore, US, 2013.

Publication

J. A. Colmenares, Peters, N., Eads, G., Saxton, I., Jacques, I., Kubiatowicz, J. D., and Wessel, D., “A Multi-core Operating System with QoS Guarantees for Network Audio Applications”, Journal of the Audio Engineering Society (JAES), vol. 61, pp. 174-184, 2013.

Publication

CNMAT Flashback

Shane Myrbeck (ARUP): Ambisonics and the Arup SoundLab

Improv Weekend: Presentations from Jessica Bisset Perea, Ofer Gazit and Maya Kronfeld

Lecture/demonstration: Frank Gratkowski/Articulations E

Archive Browser

Diverse Roles of Objets Trouvs in Live Solo Visual Music Practice

Introduction

Sound Spatialization Across Disciplines Using Virtual Microphone Control (ViMiC)

Name That Room: Room identification using acoustic features in a recording

Integration of Touch Pressure and Position Sensing with Speaker Diaphragms (Colocating Loudspeakers and Touch Interaction)

Integration of Touch Pressure and Position Sensing with Speaker Diaphragms

Matching Artificial Reverb Settings to Unknown Room Recordings: a Recommendation System for Reverb Plugins

SpatDIF: Principles, Specification, and Examples

Flexible Surfaces for Interactive Audio

Maxines Turing Test A Player-Program as Co-Ethnographer of Socio-Aesthetic Interaction in Improvised Music

Decoding Auditory Attention (in Real Time) with EEG

Colocated Surface Sound Interaction

The Spatial Sound Description Interchange Format - Principles, Specification, and Examples

An Automated Testing Suite for Computer Music Environments

World a Tuning Fork

A Multi-core Operating System with QoS Guarantees for Network Audio Applications

Towards blind reverberation time estimation for non-speech signals

Old is the new New: a Fingerboard Case Study in Recrudescence as a NIME Development Strategy

Agile Interface Development using OSC Expressions and Process Migration

Sound Design as Human Matter Interaction

Flexible Audio Speakers for Composition and Art Practice

Ensemble Coding in Audition

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