Archive

Practice
For full orchestra and computer
In association with the Center for New Music and Audio Technologies (CNMAT), UC Berkeley

Selected Performance History:

American Composers Orchestra, Carnegie Hall, March 17, 2006 (premiere)
American Composers Orchestra, Annenberg Center, Philadelphia, March 18
Berkeley Symphony with Kent Nagano, June, 2006 (Full Orchestral Version)

Ronald Bruce Smith’s “Constellation for orchestra and live electronics,” produced in collaboration between Berkeley Symphony and UC Berkeley’s Center for Music and Audio Technologies (CNMAT).

The World Premiere was given by the Berkeley Symphony Orchestra under the baton of Maestro Kent Nagano on November 10, 2000; it was revised in 2003.

whatWALL? (2003)

For alto saxophone and quadraphonic tape
Written for and dedicated to Brian Sacawa.

Mathematica, for solo flute(s) and quadriphonic tape is the first from a set of four pieces entitled Quadrivium. The four pieces in Quadrivium are designed to be played either individually or together as a complete uninterrupted cycle. All the pieces are committed in one way or another to exploring the spatialization of sound.

Tentations—its title derived from the mechanical engineering term meaning “a method of making mechanical adjustment by a succession of trials”—came to fruition through exactly such experimental means. The composition, indeed is a posteriori, a musical hindsight born from intense collaboration between cellist and composer.

NATURAL SELECTION (NAT-SEL) a real-time performance environment for computer and midi-equipped acoustic piano, 1996-present.

Post-Industrial Organisms is an installation that reconstructs sonic landscapes with sound sculptures created from industrial waste. These organisms are constructed with motorized brushes rubbing against metallic bodies. The minute sound of the friction scrapping against each other is amplified through the carefully bending of their bodily shape.

Improvised music concert, April 23, 2008

sImportant: Do not upload any TV shows, music videos, music concerts, or commercials without permission unless they consist entirely of content you created yourself.

The Copyright Tips page and the Community Guidelines can help you determine whether your video infringes someone else's copyright.

sImportant: Do not upload any TV shows, music videos, music concerts, or commercials without permission unless they consist entirely of content you created yourself.

The Copyright Tips page and the Community Guidelines can help you determine whether your video infringes someone else's copyright.

sImportant: Do not upload any TV shows, music videos, music concerts, or commercials without permission unless they consist entirely of content you created yourself.

The Copyright Tips page and the Community Guidelines can help you determine whether your video infringes someone else's copyright.

sImportant: Do not upload any TV shows, music videos, music concerts, or commercials without permission unless they consist entirely of content you created yourself.

The Copyright Tips page and the Community Guidelines can help you determine whether your video infringes someone else's copyright.

sImportant: Do not upload any TV shows, music videos, music concerts, or commercials without permission unless they consist entirely of content you created yourself.

The Copyright Tips page and the Community Guidelines can help you determine whether your video infringes someone else's copyright.

sImportant: Do not upload any TV shows, music videos, music concerts, or commercials without permission unless they consist entirely of content you created yourself.

The Copyright Tips page and the Community Guidelines can help you determine whether your video infringes someone else's copyright.

Nils Bultmann performing "Ping Pong" for Viola, Ping Pong ball, and 8-channel speaker

L’Autre (The Other)

------PERPETUAL MOTION------

Nils Bultmann- Entry point to 'foreign' improvised musical interactions, some tools for "without a net" playing


1. A sustained note, emotional antena


*2. Steady stream of 16th notes with some pivot pitch material, paint in rhythm and accent primarily (bow perpetual motion)

Examples of this--
In techno/DJ situations :

Video Installation work
“Wie schwerer Honig aus den hohlen Waben”, a piece dealing with time, mixing footage at various playback speeds.

"Free" Improvised music
One of the great benefits and pleasures of my time at CNMAT was the opportunity to continue to play with a variety of guest free improvisers.
I define "free" in this case as scoreless and without any discussing prior on what we intend to play .
Here are some examples: Headphones please my friends:

with Frank Gratkowski and David Wessel (2006)