Avizienis R, Freed A, Kassakian P, Wessel D. A Compact 120 Independent Element Spherical Loudspeaker Array with Programmable Radiation Patterns. In Audio Engineering Society 120th Convention [Internet]. Paris, France; 2006. p. Convention Paper No. 6783. http://cnmat.berkeley.edu/publications/compact_120_independent_element_spherical_loudspeaker_array_programmable_radiation_patterns
Berdahl EJ, III JOSmith, Freed A. Active Damping Of A Vibrating String. In 6th International Symposium on Active Noise and Vibration Control. Adelaide, Australia; 2006.
Bruyns C, Bindel D. Shape Changing Symmetric Objects for Sound Synthesis. In AES 121 [Internet]. San Francisco, CA; 2006. http://cnmat.berkeley.edu/publications/shape_changing_symmetric_objects_sound_synthesis
Einbond A. Convergent Voices: Perception in Lutoslawski, Berio, Boulez. In 6th annual GAMMA-UT conference [Internet]. University of Texas at Austin; 2006. p. no publication. http://cnmat.berkeley.edu/publications/convergent_voices_perception_lutoslawski_berio_boulez
Freed A, Lee A, Schott J, Uitti F-M, Wright M, Zbyszynski MF. Comparing Musical Control Structures and Signal Processing Strategies for the Augmented Cello and Guitar. In International Computer Music Conference [Internet]. New Orleans, LA: International Computer Music Association; 2006. pp. 636-642. http://cnmat.berkeley.edu/publications/comparing_musical_control_structures_and_signal_processing_strategies_augmented_cello_and_guitar
Freed A, Uitti F-M, Wessel D, Zbyszynski MF. Augmenting the Cello. In International Conference on New Interfaces for Musical Expression [Internet]. Paris, France; 2006. pp. 409-413. http://cnmat.berkeley.edu/publications/augmenting_cello
Freed A, Avizienis R, Wright M. Beyond 0-5V: Expanding Sensor Integration Architectures. In International Conference on New Interfaces for Musical Expression. Paris, France; 2006. pp. 97-100.
Freed A. Music MetaData Quality: a multiyear Case Study using the Music of Skip James. In AES 121 [Internet]. San Francisco, CA; 2006. http://cnmat.berkeley.edu/publications/music_metadata_quality_multiyear_case_study_using_music_skip_james
Kassakian P. Convex Approximation with Applications in Magnitude Filter Design and Beamforming. EECS. [Berkeley, CA]: University of California, Berkeley; 2006.
Loui P, Wessel D, Kam CHudson. Acquiring New Musical Grammars: a Statistical Learning Approach. In 28th Annual Conference of the Cognitive Science Society. Vancouver, Canada: Cognitive Science Society; 2006. pp. 1711-1716.
Loui P, Wessel D. Attentional Fluctuations Across Frequency and Amplitude: a Dual-Task Study. In Cognitive Neuroscience Society (Poster Presentaton) [Internet]. San Francisco, California; 2006. p. 84. http://cnmat.berkeley.edu/publications/attentional_fluctuations_across_frequency_and_amplitude_dual_task_study
MacCallum J, Einbond A. Real-Time Analysis of Sensory Dissonance. Berkeley, CA: CNMAT, Department of Music, University of California Berkeley; 2006 .
Wessel D. An Enactive Approach to Computer Music Performance. Orlarey Y. Le Feedback dans la Creation Musical. Lyon, France: Studio Gramme; 2006. pp. 93-98.
Wright M. Shifty Looping: meter-aware, non-repeating rhythmic loops [Internet]. International Computer Music Conference. New Orleans, LA: International Computer Music Association; 2006. p. 44. http://cnmat.berkeley.edu/publications/shifty_looping_meter_aware_non_repeating_rhythmic_loops
Wright M, Berdahl EJ. Towards Machine Learning of Expressive Microtiming in Brazilian Drumming [Internet]. International Computer Music Conference. New Orleans, LA: International Computer Music Association; 2006. pp. 572-575. http://ccrma.stanford.edu/~eberdahl/Projects/Microtiming