Selected Research Publications from CNMAT from 1989 to the Present

Areas of Research include:

  • Protocol and encoding development including Open Sound Control (OSC) and the Sound Description Interchange Format (SDIF)
  • New sensor technologies and interface modalities: sensor fusion, integration.
  • New sense-enabled media: conductive/resistive fibre, malleable media.
  • eTextile, conductive paper and other materials for the New Lutherie
  • Many-channel digital audio interfaces; hundreds of channels over common ethernet. FPGA-based audio systems development.
  • Parallel computing theory in music/audio computing; algorithms, requirements.
  • Musical interactivity tools including digitizing tablets, multitouch and manytouch surfaces.
  • New user-interfaces for interaction with expressive musical/auditory environments, e.g. spatial mapping with dimensionality reduction.
  • Theoretical and applied spatial acoustics of loudspeaker and microphone arrays, especially in spherical configurations
  • Musical quality; metrics, augmentation, compression, hearing loss.
  • Signal-theory for musical gestures; requirements on jitter and latency, expressive bandwidth estimation
  • Semantics, requirements and cognitive models of music performance and their implications for software design patterns
  • Sound analysis for event detection, pitch and noise estimation and auditory perceptual models
  • Machine learning applications in audio synthesis and musical control
  • Auditory psychophysics and music cognition and perception
  • Curation and Development of real-time music and audio software tools.
Chaudhary A, Freed A, Wessel D. Exploiting Parallelism in Real-Time Music and Audio Applications [Internet]. Heidelberg: Springer Berlin; 1999. pp. 49-54. http://www.springerlink.com/content/81314334t1w10x48/ Chaudhary A, Freed A, Wright M. An Open Architecture for Real-Time Audio Processing Software. In Audio Engineering Society 107th Convention, [Internet]. New York, NY: Audio Engineering Society; 1999. p. preprint #5031. http://cnmat.berkeley.edu/publications/open_architecture_real_time_audio_processing_software Chaudhary A, Freed A. Visualization, Editing and Spatialization of Timbral Resources using the OSE Framework. In Audio Engineering Society 107th Convention [Internet]. New York, NY: Audio Engineering Society; 1999. p. preprint #5027. http://cnmat.berkeley.edu/publications/visualization_editing_and_spatialization_timbral_resources_using_ose_framework Freed A. Spectral Line Broadening with Transform Domain Additive Synthesis. In International Computer Music Conference [Internet]. Beijing, China: International Computer Music Association; 1999. pp. 78-81. http://alpha.cnmat.berkeley.edu/publications/spectral_line_broadening_transform_domain_additive_synthesis Freed A. Bidirectional AES/EBU Digital Audio and Remote Power over a Single Cable. In Audio Engineering Society 107th Convention [Internet]. New York, NY: Audio Engineering Society; 1999. http://cnmat.berkeley.edu/publications/bidirectional_aes_ebu_digital_audio_and_remote_power_over_single_cable Goodwin MM, Vetterli M. Matching pursuit and atomic signal models based on recursive filterbanks. Signal Processing, IEEE Transactions on [see also Acoustics, Speech, and Signal Processing, IEEE Transactions on]. 1999;47:1890-1902. Hodes T, Freed A. Second-order recursive oscillators for musical additive synthesis. In International Computer Music Conference [Internet]. Beijing, China: International Computer Music Association; 1999. pp. 74-77. http://cnmat.berkeley.edu/publications/second_order_recursive_oscillators_musical_additive_synthesis Hodes T, Hauser J, Freed A, Wawrzynek J, Wessel D. A Fixed-Point Recursive Digital Oscillator for Additive Synthesis of Audio. In IEEE International Conference on Acoustics, Speech, and Signal Processing (ICASSP) [Internet]. Phoenix, AZ; 1999. http://cnmat.berkeley.edu/publications/fixed_point_recursive_digital_oscillator_additive_synthesis_audio Jehan T, Freed A, Dudas R. Musical Applications of New Filter Extensions to Max/MSP. In International Computer Music Conference [Internet]. Beijing, China: International Computer Music Association; 1999. pp. 504-507. http://cnmat.berkeley.edu/publications/musical_applications_new_filter_extensions_max_msp Kaup A, Freed A, Khoury S, Wessel D. Volumetric Modeling of Acoustic Fields for Musical Sound Design in a New Sound Spatialization Theatre. In International Computer Music Conference [Internet]. Beijing, China: International Computer Music Association; 1999. pp. 488-491. http://cnmat.berkeley.edu/publications/volumetric_modeling_acoustic_fields_musical_sound_design_new_sound_spatialization_theatre Lindlbauer N. Application of FPGA's to Musical Gesture Communication and Processing [Internet]. 1999. http://cnmat.berkeley.edu/publications/application_fpgas_musical_gesture_communication_and_processing Risset J-C, Wessel D. Exploration of Timbre by Analysis Synthesis. Second. Deutsch D. The Psychology of Music. San Diego: Academic Press; 1999. pp. 113-169. Serafin S, Dudas R, Wanderley MM, Rodet X. Gestural Control of a Real-Time Physical Model of a Bowed String Instrument. In International Computer Music Conference [Internet]. Beijing, China: International Computer Music Association; 1999. pp. 375-378. http://cnmat.berkeley.edu/publications/gestural_control_real_time_physical_model_bowed_string_instrument Wright M, Chaudhary A, Freed A, Khoury S, Wessel D. Audio Applications of the Sound Description Interchange Format Standard. In Audio Engineering Society 107th Convention [Internet]. Audio Engineering Society; 1999. p. preprint #5032. http://cnmat.berkeley.edu/publications/audio_applications_sound_description_interchange_format_standard Wright M, Khoury S, Wang R, Zicarelli D. Supporting the Sound Description Interchange Format in the Max/MSP Environment. In International Computer Music Conference [Internet]. Beijing, China: International Computer Music Association; 1999. pp. 182-185. http://cnmat.berkeley.edu/publications/supporting_sound_description_interchange_format_max_msp_environment

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