Selected Research Publications from CNMAT from 1989 to the Present

Areas of Research include:

  • Protocol and encoding development including Open Sound Control (OSC) and the Sound Description Interchange Format (SDIF)
  • New sensor technologies and interface modalities: sensor fusion, integration.
  • New sense-enabled media: conductive/resistive fibre, malleable media.
  • eTextile, conductive paper and other materials for the New Lutherie
  • Many-channel digital audio interfaces; hundreds of channels over common ethernet. FPGA-based audio systems development.
  • Parallel computing theory in music/audio computing; algorithms, requirements.
  • Musical interactivity tools including digitizing tablets, multitouch and manytouch surfaces.
  • New user-interfaces for interaction with expressive musical/auditory environments, e.g. spatial mapping with dimensionality reduction.
  • Theoretical and applied spatial acoustics of loudspeaker and microphone arrays, especially in spherical configurations
  • Musical quality; metrics, augmentation, compression, hearing loss.
  • Signal-theory for musical gestures; requirements on jitter and latency, expressive bandwidth estimation
  • Semantics, requirements and cognitive models of music performance and their implications for software design patterns
  • Sound analysis for event detection, pitch and noise estimation and auditory perceptual models
  • Machine learning applications in audio synthesis and musical control
  • Auditory psychophysics and music cognition and perception
  • Curation and Development of real-time music and audio software tools.
Wright M, Scheirer E. Cross-Coding SDIF into MPEG-4 Structured Audio. In International Computer Music Conference. Beijing, China: International Computer Music Association; 1999. pp. 589-596. Wright M, Khoury S, Wang R, Zicarelli D. Supporting the Sound Description Interchange Format in the Max/MSP Environment. In International Computer Music Conference [Internet]. Beijing, China: International Computer Music Association; 1999. pp. 182-185. http://cnmat.berkeley.edu/publications/supporting_sound_description_interchange_format_max_msp_environment Wright M. SDIF (Sound Description Interchange Format) Specification [Internet]. 1999 . http://cnmat.berkeley.edu/publications/sdif_sound_description_interchange_format_specification Chaudhary A. OpenSoundEdit: An Interactive Visualization and Editing Framework for Timbral Resources [Internet]. Wessel D. Electrical Engeneering and Computer Science. [Berkeley, CA]: UC Berkeley; 1998. http://cnmat.berkeley.edu/publications/opensoundedit_interactive_visualization_and_editing_framework_timbral_resources Chaudhary A. Band-Limited Simulation of Analog Synthesizer Modules by Additive Synthesis. In Audio Engineering Society 104th Convention [Internet]. San Francisco, CA: Audio Engineering Society; 1998. http://cnmat.berkeley.edu/publications/band_limited_simulation_analog_synthesizer_modules_additive_synthesis Chaudhary A, Freed A, Khoury S, Wessel D. A 3D Graphical User Interface for Resonance Modeling. In International Computer Music Conference [Internet]. Ann Arbor, Michigan: International Computer Music Association; 1998. http://cnmat.berkeley.edu/publications/3d_graphical_user_interface_resonance_modeling Chaudhary A, Freed A, Rowe LA. OpenSoundEdit: An Interactive Visualization and Editing Framework for Timbral Resources. In International Computer Music Conference [Internet]. Ann, Arbor, Michigan: International Computer Music Association; 1998. http://cnmat.berkeley.edu/publications/opensoundedit_interactive_visualization_and_editing_framework_timbral_resources_0 Freed A. Real-Time Inverse Transform Additive Synthesis for Additive and Pitch Synchronous Noise and Sound Spatialization. In Audio Engineering Society 104th Convention. San Francisco, CA: Audio Engineering Society; 1998. Freed A, Wessel D. Communication of Musical Gesture using the AES/EBU Digital Audio Standard. In International Computer Music Conference. Ann Arbor, Michigan: International Computer Music Association; 1998. pp. 220-223. Freed A, Chaudhary A. Music Programming with the new Features of Standard C++. In International Computer Music Conference. Ann, Arbor, Michigan: International Computer Music Association; 1998. pp. 244-247. Freed A, Wright M. CAST: CNMAT's Additive Synthesis Tools [Internet]. CNMAT; 1998 . http://cnmat.berkeley.edu/publications/cast_cnmats_additive_synthesis_tools Irizarry R. Statistics and Music: Fitting a Local Harmonic Model to Musical Sound Signals. Statistics. [Berkeley, CA]: UC Berkeley; 1998. p. 137. Irizarry R. A Direct Adaptive Window Size Estimation Procedure for Parametric Sinusoidal Modeling. In International Computer Music Conference. University of Michigan, Ann Arbor: International Computer Music Association; 1998. Iyer V. Microstructures of Feel, Macrostructures of Sound: Embodied Cognition in West African and African-American Musics. Technology and the Arts in the Graduate Division. [Berkeley]: University of California at Berkeley; 1998. Khoury S, Freed A, Wessel D. Volumetric Modeling of Acoustic Fields in CNMAT's Sound Spatialization Theatre. In Audio Engineering Society 104th Convention [Internet]. San Francisco, CA: Audio Engineering Society; 1998. http://cnmat.berkeley.edu/publications/volumetric_modeling_acoustic_fields_cnmats_sound_spatialization_theatre

Pages