Found 97 results
Filters: Author is Freed, Adrian  [Clear All Filters]
1997
A. Freed and Jehan, T., Database of Challenging Musical Sounds for Evaluation and Refinement of Pitch Estimators, in ICMC, Thessaloniki, Hellas, 1997, p. [not published].
A. Freed, Inverse Transform Narrow Band/Broad Band Sound Synthesis, U.S. Patent 56866831997.
M. Wright, Wessel, D., and Freed, A., New Musical Control Structures from Standard Gestural Controllers, in International Computer Music Conference, Thessaloniki, Hellas, 1997, pp. 387-390.
M. Wright and Freed, A., Open Sound Control: A New Protocol for Communicating with Sound Synthesizers, in International Computer Music Conference, Thessaloniki, Hellas, 1997, pp. 101-104.
A. Freed, Chaudhary, A., and Davila, B., Operating Systems Latency Measurement and Analysis for Sound Synthesis and Processing Applications, in International Computer Music Conference, Thessaloniki, Hellas, 1997, pp. 479-481.
1996
A. Freed, Music And Audio Technology Projects To Stir Your Imagination, Computer Music Journal, vol. 20, pp. 4-4, 1996.
1995
A. Freed, Bring Your Own Control Additive Synthesis, in International Computer Music Conference, Banff, Canada, 1995, pp. 303-306.
A. Freed, Improving Graphical User Interfaces For Computer Music Applications, Computer Music Journal, vol. 19, pp. 4-5, 1995.
1994
A. Freed, Codevelopment of user interface, control and digital signal processing with the HTM environment, in 5th International Conference on Signal Processing Applications and Technology, Dallas, TX, USA, 1994, vol. 2, pp. 1179-83.
A. Freed, Goldstein, M., Goodwin, M., Lee, M. A., McMillen, K., Rodet, X., Wessel, D., and Wright, M., Real-Time Additive Synthesis Controlled by a Mixture of Neural-Networks and Direct Manipulation of Physical and Perceptual Attributes, in International Computer Music Conference, Aarhus, Denmark, 1994, pp. 362-363.
A. Freed, The Rebirth of Computer Music by Analog Signal Processing, in International Computer Music Conference, Aarhus, Denmark, 1994, pp. 435-442.
1993
A. Freed, Guidelines for signal processing applications in C, C Users Journal, p. 85(9), 1993.
A. Freed, Rodet, X., and Depalle, P., Performance, Synthesis and Control of Additive Synthesis on a Desktop Computer Using FFT-1, in International Computer Music Conference, Waseda University, 1993, vol. 19, pp. 98-101.
A. Freed, Rodet, X., and Depalle, P., Synthesis and control of hundreds of sinusoidal partials on a desktop computer without custom hardware, in Fourth International Conference on Signal Processing Applications and Technology, Santa Clara, CA, 1993, vol. 2, pp. 1024-30.
1992
M. A. Lee, Freed, A., and Wessel, D., Neural networks for simultaneous classification and parameter estimation in musical instrument control, in Adaptive and Learning Systems, Orlando, FL, USA, 1992, vol. 1706, pp. 244-55.
A. Freed, New Tools for Rapid Prototyping of Musical Sound Synthesis Algorithms and Control, in International Computer Music Conference, San Jose, CA, 1992, pp. 178-181.
1991
A. Freed, Wessel, D., and Zicarelli, D., MAX Objects for Media Integration, in International Computer Music Conference, McGill University, 1991, pp. 397-400.
M. A. Lee, Freed, A., and Wessel, D., Real-Time Neural Network Processing of Gestural and Acoustic Signals, in 17th International Computer Music Conference, Montreal, 1991, pp. 277-280.
1990
A. Freed and Gordon, K., DSP driver software for performance-oriented music synthesis systems, in International Computer Music Conference, Glasgow, UK, 1990, pp. 79-81.
1989
D. Wessel, Felciano, R., Freed, A., and Wawrzynek, J., The Center for New Music and Audio Technologies: Studio Report 1989, in International Computer Music Conference, San Francisco, 1989, pp. 336-339.
J. - B. Barrire, Baisnee, P. - F., Freed, A., and Baudot, M. - D., A Digital Signal Multiprocessor and its Musical Application, in 15th International Computer Music Conference, Ohio State University, 1989, pp. 17-20.
A. Freed, New Media for Musicological Research and Education - The Country Blues in HyperMedia, in 15th International Computer Music Conference, Ohio State University, 1989, pp. 109-112.

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