CNMAT Flashback

A look back at some items in our archives.

Archive Browser

Browse CNMAT content by type
Video

Persistent Vision 1

Posted by Amadeus Regucera on July 22, 2009

One of three video excerpts from ‘Persistent Vision’ of Edmund Campion, Carol Murota, Ali Momeni

Video

Persistent Vision 2

Posted by Amadeus Regucera on July 22, 2009

One of three video excerpts from ‘Persistent Vision’ of Edmund Campion, Carol Murota, Ali Momeni

Video

Persistent Vision

Posted by David Coll on June 3, 2009

One of three video excerpts from 'Persistent Vision' of Edmund Campion, Carol Murota, Ali Momeni

Video

Persistent Vision

Posted by David Coll on June 3, 2009

One of three video excerpts from 'Persistent Vision' of Edmund Campion, Carol Murota, Ali Momeni

Video

ME (Patrice Balter)

Posted by Amadeus Regucera on July 23, 2009

Excerpt of Patrice Balter performing Edmund Campion's ME in Nice, 2002.

Video

Persistent Vision 3

Posted by Amadeus Regucera on July 22, 2009

One of three video excerpts from ‘Persistent Vision’ of Edmund Campion, Carol Murota, Ali Momeni

Video

Losing Touch: Composition & Technique

Posted by Amadeus Regucera on July 23, 2009

Edmund Campion discusses his composition for vibraphone and tape, "Losing Touch" for a French television program. In this excerpt, he outlines the compositional and electronic techniques that went into its creation. The collaborative process between composer and performer is touched upon here as well.

Video

Losing Touch: Composition & Technique

Posted by Amadeus Regucera on July 23, 2009

Edmund Campion discusses his composition for vibraphone and tape, "Losing Touch" for a French television program. In this excerpt, he outlines the compositional and electronic techniques that went into its creation. The collaborative process between composer and performer is touched upon here as well.

Video

Overdrive Swing

Posted by Amadeus Regucera on July 27, 2009

Here the drum fills are sprinkled with figures from the bass and bass clarinet. Could these passages have been composed with notation and then rehearsed? Yes, but I think the phrasing would not have been as spontaneous.

Video

Intuitivo

Posted by Amadeus Regucera on July 21, 2009

This comes from the title track, one of my favorites. The violin’s rugged ostinato serves as a backdrop for lush ensemble harmonies and strange quasi-melodies.

Video

Constellation on techTV

Posted by Amadeus Regucera on August 3, 2009

Ron Smith discusses his work "Constellation" for orchestra and live electronics on the television program techTV. The role of CNMAT in the work is also discussed, featuring David Wessel.

Pages