Campion E. Dual Reflections: A Conversation with Kaija Saariaho and Jean-Baptiste Barriere on Music, Art, and Technology. Saariaho K, Barrière J-B. Computer Music Journal (MIT) [Internet]. 2017;43(3). http://www.mitpressjournals.org/doi/pdf/10.1162/comj_a_00426
Banerji R. Balancing Defiance and Cooperation: The Design and Human Critique of a Virtual Free Improviser. In ICMC 2016. Utrecht: ICMA; 2016.
Freed A. David Wessels Slabs: a case study in Preventative Digital Musical Instrument Conservation. In SMC2016. Hamburg; 2016.
Freed A. Sounds from the Electrified Human Body: Reconfigurations of Embodied and Encultured Knowledge from the development of Electrosomatophones. In Bodies of Knowledge BOK2016. UC Irvine; 2016.
Sha XWei, Solomonova E, Freed A, Veissire S, Formis B, MacCallum J. Experimental Collective Experience. In UC Irvine; 2016.
Valle R. ABROA : Audio-based Room-occupancy Analysis using Gaussian Mixtures and Hidden Markov Models. In Future Technologies Conference (FTC) 2016. San Francisco; 2016.
Valle R, Donz A, Fremont D, Akkaya I, Seshia S, Freed A, et al.. Specification Mining For Machine Improvisation With Formal Specifications. ACM : Computers in Entertainment (Musical Metacreation). 2016;.
Valle R, Fremont DJ, Akkaya I, Donze A, Freed A, Seshia SS. Learning and Visualizing Music Specifications Using Pattern Graphs. In International Society for Music Information Retrieval Conference. New York; 2016.
. Dynamic Message-Oriented Middleware with Open Sound Control and Odot. In International Computer Music Conference. University of North Texas, Denton, TX, USA; 2015.
Bresson J, Bouche D, Garcia J, Carpentier T, Jacquemard F, MacCallum J, et al.. PROJET EFFICACE : DVELOPPEMENTS ET PERSPECTIVES EN COMPOSITION ASSISTE PAR ORDINATEUR. In Journes d'Informatique Musicale. Montral, QC, Canada; 2015.
Bresson J, MacCallum J. Tempo Curving as a Framework for Interactive Computer-Aided Composition. In Sound and Music Computing. Maynooth, Ireland; 2015.
Freed A, Wessel D. An Accessible Platform for Exploring Haptic Interactions with Co-located Capacitive and Piezoresistive Sensors. In TEI 2015. Stanford, California: ACM; 2015.
Gottfried R. SVG to OSC Transcoding: Towards a Platform for Notational Praxis and Electronic Performance. In International Conference on Technologies for Music Notation and Representation (TENOR). Paris, France; 2015.
MacCallum J, Goodheart M, Freed A. Antony: A Reimagining. In International Computer Music Conference. University of North Texas, Denton, TX, USA; 2015.
MacCallum J, Naccarato T. The Impossibility of Control: Real-time Negotiations with the Heart. In Electronic Visualization in the Arts. London, UK; 2015.

Pages