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Mission:
The UC Berkeley Center for New Music and Audio Technologies (CNMAT) was conceived and established by composer and Professor Emeritus Richard Felciano in the late 1980s — the operating budget officially commenced on July 1, 1989. CNMAT houses a dynamic group of educational, performance and research programs focused on the creative interaction between music and technology. CNMAT’s research program is highly interdisciplinary, linking all of UC Berkeley’s disciplines dedicated to the study or creative use of sound (such as music, architecture, mathematics, statistics, mechanical engineering, computer science, electrical engineering, psychology, physics, space sciences, the Center for New Media, and the Department of Theater, Dance, and Performance Studies). CNMAT’s educational program integrates a Music and Technology component into the Department of Music’s graduate program in music composition - it also supports the undergraduate curriculum in music/technology for music majors and non-music majors.

Outreach:
CNMAT’s events program offers a range of concerts, lectures and other events informed by our research and pedagogy efforts. In our Sound Spatialization Theater, we present concerts that cross cultural and musical barriers and provide a forum for diverse lectures and demonstrations for students, faculty and the community.

Address:
1750 Arch Street
Berkeley, California 94720 U.S.A.

Phone Number: +1 (510) 643-9990
Coordinates: -122.264213, 37.876795
Administrative Contact: Richard Andrews richard [at] cnmat [dot] berkeley [dot] edu

Downloads

External objects for Max/MSP :

CNMAT Max/MSP and PD externals
Earlier versions
To learn more about the collection of external objects, click here

odot objects for Max/MSP and PD on github:

CNMAT-odot releases

MMJ Depot:

Latest version (v3.1.0): .tgz .zip (~60MB)

OSCuino

To find out more about communication between Max and Arduino over OSC, download OSCuino, visit the github page.

Research

In Press
Specification Mining For Machine Improvisation With Formal Specifications, Valle, Rafael; Donzé, Alexandre; Fremont, Daniel; Akkaya, Ilge; Seshia, Sanjit; Freed, Adrian; Wessel, David. , ACM : Computers in Entertainment (Musical Metacreation), 2015, (In Press)   Abstract
Colocating Capacitive, Resistive Sensing and Actuation for enhanced Musical Control Intimacy, Freed, Adrian , (In Press)   Abstract
David Wessel’s Slabs: a case study in Preventative Digital Musical Instrument Conservation , Freed, Adrian , (In Press)   Abstract
2015
SVG to OSC Transcoding: Towards a Platform for Notational Praxis and Electronic Performance, Gottfried, Rama , International Conference on Technologies for Music Notation and Representation (TENOR), 29/05/2015, Paris, France, (2015)   Abstract | PDF
Batera : Drummer Agent with Style Learning and Interpolation, Valle, Rafael; Freed, Adrian , Study Day On Computer Simulation Of Musical Creativity, 27/06/2015, University of Huddersfield, UK, (2015)   Abstract | Full-Text
Tempo Curving as a Framework for Interactive Computer-Aided Composition, Bresson, Jean; MacCallum, John , Sound and Music Computing, 26/07/2015, Maynooth, Ireland, (2015)   Abstract | PDF
Antony: A Reimagining, MacCallum, John; Goodheart, Matthew; Freed, Adrian , International Computer Music Conference, 25/09/2015, University of North Texas, Denton, TX, USA, (2015)   Abstract | PDF
Dynamic Message-Oriented Middleware with Open Sound Control and Odot, John MacCallum, Rama Gottfried, Ilya Rostovtsev, Jean Bresson, Adrian Freed , International Computer Music Conference, 25/09/2015, University of North Texas, Denton, TX, USA, (2015)   Abstract | PDF
The Impossibility of Control: Real-time Negotiations with the Heart , MacCallum, John; Naccarato, Teoma , Electronic Visualization in the Arts, 07/07/2015, London, UK, (2015)   Abstract | PDF
An Accessible Platform for Exploring Haptic Interactions with Co-located Capacitive and Piezoresistive Sensors, Freed, Adrian; Wessel, David , TEI 2015, Stanford, California, (2015)   Abstract | PDF
Hearing aid fitting procedure and processing based on subjective space representation, Wessel, David; Battenberg, Eric; Schmeder, Andrew; Fitz Kelly; Edwards, Brent , Issue 8948427B2, (2015)
PROJET EFFICACE : DÉVELOPPEMENTS ET PERSPECTIVES EN COMPOSITION ASSISTÉE PAR ORDINATEUR, Bresson, Jean; Bouche, Dimitri; Garcia, Jérémie; Carpentier, Thibaut; Jacquemard, Florent; MacCallum, John; Schwarz, Diemo , Journées d'Informatique Musicale, Montréal, QC, Canada, (2015)   Abstract | PDF
Simple Synchronization for Open Sound Control, Madgwick, Sebastian; Mitchell, Thomas; Barreto, Carlos; Freed, Adrian , ICMC, Texas, (2015)   Abstract
Symbolic Music Similarity using Neuronal Periodicity and Dynamic Programming, Valle, Rafael; Freed, Adrian , Mathematics and Computation in Music, London, UK, (2015)   Abstract
2014
Machine Improvisation with Formal Specifications, Donze, Alexandre; Akkaya, Ilge; Seshia, Sanjit A.; Libkind, Sophie; Valle, Rafael; Wessel, David , International Computer Music Conference, 14/09/2014, Athens, Greece, (2014)   Abstract | PDF
New Tools for Aspect-Oriented Programming in Music and Media Programming Environments, MacCallum, John; Freed, Adrian; Wessel, David , International Computer Music Conference, 14/09/2014, Athens, Greece, (2014)   Abstract | PDF
Making the Most of Wifi: Optimisations for Robust Wireless Live Music Performance, Mitchell, Thomas; Madgwick, Sebastian; Rankine, Simon; Hilton, Geoffrey; Freed, Adrian; Nix Andrew , New Instruments of Musical Expression, (2014)   Abstract | PDF
o.io: a Unified Communications Framework for Music, Intermedia and Cloud Interaction, Freed, Adrian; DeFilippo, David; Gottfried , Rama; MacCallum , John; Lubow , Jeff; Razo, Derek; Rostovtsev, Ilya; Wessel , David , ICMC, Athens, Greece, (2014)   Abstract | PDF
The Swarm at the Edge of the Cloud, Lee, Edward A.; Rabaey, Jan; Blaauw, David; Dutta, Prabal; Fu, Kevin; Guestrin, Carlos; Hartmann, Bjoern; Jafari, Roozbeh; Jones, Douglas L.; Kubiatowicz, John D.; Kumar, Vijay; Mangharam, Rahul; Murray, Brian T.; Pappas, George; Pister, Kris; Rowe, Antho , IEEE Design and Test of Computers on Cloud Computing for Embedded Systems, (2014)   Abstract
2013
Decoding Auditory Attention (in Real Time) with EEG, Lalor, E.; Mesgarani, N.; Rajaram, S.; O’Donovan, A.; Wright, J.; Choi, I.; Brumberg, J.; Ding, N.; Lee, K. C.; Peters, Nils; Ramenahalli, S.; Pompe, J.; Shinn-Cunningham, B.; Slaney, M.; Shamma, S. , 37th ARO MidWinter Meeting, 16/02/2013, Baltimore, US, (2013)   PDF
Flexible Audio Speakers for Composition and Art Practice, Rowland, Jess , Leonardo Music Journal, 12/2013, Volume 23, p.33-36, (2013)   Abstract
Ensemble Coding in Audition, Piazza, Elise A.; Sweeny, Timothy D.; Wessel, David; Silver, Micahel A.; Whitney, David , Psychological Science, 08/2013, Volume 24, Issue 8, p.1389-1397, (2013)   Abstract
A Multi-core Operating System with QoS Guarantees for Network Audio Applications, Colmenares, Juan A.; Peters, Nils; Eads, Gage; Saxton, Ian; Jacques, Israel; Kubiatowicz, John D.; Wessel, David , Journal of the Audio Engineering Society (JAES), 04/2013, Volume 61, Issue 4, p.174-184, (2013)   PDF
Towards blind reverberation time estimation for non-speech signals, Santos, João F.; Peters, Nils; Falk, Tiago H. , 21st International Congress on Acoustics (ICA), 02/07/2013, Montreal, (2013)   PDF
Agile Interface Development using OSC Expressions and Process Migration, MacCallum, John; Freed, Adrian; Wessel, David , NIME, Daejeon Korea, (2013)   Abstract | PDF
Colocated Surface Sound Interaction, Rowland, Jess; Freed, Adrian , SigCHI, Paris, France, (2013)   Abstract | PDF
Sound Design as Human Matter Interaction, Wei, Sha Xin; Freed, Adrian, Naveb Navid , SigChi, Paris, France, (2013)   Abstract | PDF
The Spatial Sound Description Interchange Format - Principles, Specification, and Examples, Peters, Nils; Lossius, Trond; Schacher, Jan C. , Computer Music Journal, Volume 37, Issue 1, p.11-22, (2013)   PDF
“Old” is the new “New”: a Fingerboard Case Study in Recrudescence as a NIME Development Strategy, Freed, Adrian; Uitti, Frances-Marie; Mansfield, Sam; MacCallum, John , NIME, Daejeon Korea, (2013)   Abstract | PDF
2012
Name That Room: Room identification using acoustic features in a recording, Peters, Nils; Lei, Howard; Friedland, Gerald , ACM Multimedia, 29/10/2012, Nara, Japan, (2012)   Abstract | PDF
Matching Artificial Reverb Settings to Unknown Room Recordings: a Recommendation System for Reverb Plugins, Peters, Nils; Choi, Jaeyoung; Lei, Howard , 133rd AES Convention, 26/10/2012, San Francisco, US, (2012)   Abstract | PDF
The Paper FingerPhone: a case study of Musical Instrument Redesign for Sustainability, Freed, Adrian , NIME 2012 (Best Poster Award), 20/05/2012, Ann Arbor, Michigan, (2012)   Abstract | Full-Text | PDF
Flexible Surfaces for Interactive Audio, Rowland, Jess; Freed, Adrian , Interactive Tabletops and Surfaces, 11/14/2012, Cambridge, MA, (2012)   Abstract | Full-Text
An Automated Testing Suite for Computer Music Environments, Peters, Nils; Lossius, Trond; Place, Timothy , 9th Sound and Music Computing Conference (SMC), 11/07/2012, Copenhagen, DK, (2012)   Abstract | PDF
SpatDIF: Principles, Specification, and Examples, Peters, Nils; Lossius, Trond; Schacher, Jan C. , SMC: 9th Sound and Music Computing Conference (Best Paper Award), 11/07/2012, Copenhagen, DK, (2012)   Abstract | PDF
Maxine’s Turing Test – A Player-Program as Co-Ethnographer of Socio-Aesthetic Interaction in Improvised Music, Banerji, Ritwik , 1st International Workshop on Musical Metacreation, 09/10/2012, Stanford University, (2012)   Abstract | PDF
Toward Live Drum Separation Using Probabilistic Spectral Clustering Based on the Itakura-Saito Divergence, Battenberg, Eric; Huang, Victor; Wessel, David , AES 45th Conference: Applications of Time-Frequency Processing in Audio,, 01/03/2012, Helsinki, Finland, (2012)   Abstract
A Perceptual Analysis of Off-Center Sound Degradation in Surround-Sound Reproduction Based on Geometrical Properties (A), Peters, Nils; McAdams, Stephen , J. Acoust. Soc. Am., presented at Acoustics 2012, Hong Kong, Volume 131, Issue 4, p.3256-3256, (2012)   Abstract
Analyzing Drum Patterns using Conditional, Deep Belief Networks, Battenberg, Eric; Wessel,David , ISMIR 2012, Portugal, (2012)   PDF
Integration of Touch Pressure and Position Sensing with Speaker Diaphragms (Colocating Loudspeakers and Touch Interaction), Freed, Adrian , Audio Engineering Society, San Francisco, (2012)   Abstract | Full-Text | PDF
Mercedes, Andres Cremisini , (2012)   PDF
2011
Composability for Musical Gesture Signal Processing using new OSC-based Object and Functional Programming Extensions to Max/MSP, Freed, Adrian; MacCallum, John; Schmeder, Andrew , New Interfaces for Musical Expression, 30/05/2011, Oslo, Norway, (2011)   Abstract | PDF
Diverse Roles of Objets Trouvés in Live Solo Visual Music Practice , Freed, Adrian , Understanding VISUAL Music 2011, 26/08/2011, Montreal, CA, (2011)   Abstract | Full-Text
Compensation of Undesired Doppler Artifacts in Virtual Microphone Simulations, Peters, Nils; Braasch Jonas , DAGA - Deutsche Jahrestagung für Akustik , 21/03/2011, Düsseldorf, Germany, (2011)   Abstract | PDF
Implementing Real-Time Partitioned Convolution Algorithms on Conventional Operating Systems, Battenberg, Eric; Avizienis, Rimas , DAFX 2011, 19/09/2011, Paris, France, (2011)   Abstract | PDF
Pervasive Cameras: Making Sense of Many Angles using Radial Basis Function Interpolation and Salience Analysis, Mann, Yotam; Freed, Adrian , Pervasive 2011, 12/06/2011, San Francisco, CA, (2011)   Abstract | PDF
Beamforming using a spherical microphone array based on legacy microphone characteristics, Peters, Nils; Schmeder Andrew W. , International Conference on Spatial Audio, 10/11/2011, Detmold, Germany, (2011)   Abstract | PDF
Dynamic, Instance-based, Object-Oriented Programming (OOP) in Max/MSP using Open Sound Control (OSC) Message Delegation, Freed, Adrian; MacCallum, John; Schmeder, Andy , ICMC 2011, Huddersfield, England, (2011)   Abstract | PDF
Robust and Reliable Fabric, Piezoresistive Multitouch Sensing Surfaces for Musical Controllers, Roh, Jung-Sim; Freed, Adrian; Mann, Yotam; Wessel, David , NIME 2011, (2011)   Abstract | PDF
REAL-TIME MUSICAL APPLICATIONS ON AN EXPERIMENTAL OPERATING SYSTEM FOR MULTI-CORE PROCESSORS, Colmenares, Juan; Saxton Ian; Battenberg, Eric; Avizienis, Rimas; Peters, Nils; Asanovic, Krste; Kubiatowicz, John D.; Wessel, David , ICMC 2011, Huddersfield, England, (2011)   PDF
Synthesizing classic recording microphones characteristics using a spherical microphone array (A), Peters, Nils; Schmeder Andrew W. , J. Acoust. Soc. Am., presented at the 162th Meeting of the Acoustical Society of America, Volume 130, Issue 4, San Diego, US, p.2507, (2011)   Abstract
Sound Spatialization Across Disciplines Using Virtual Microphone Control (ViMiC), Peters, Nils; Braasch, Jonas; McAdams, Stephen , Journal of Interdisciplinary Music Studies, Volume 5, Issue 2, p.167-190, (2011)   PDF
2010
Tangible Video Bubbles, Ryokai, Kimiko; Raffle, Hayes; Horri, Hiroshi; Mann, Yotam , CHI 2010, 10/04/2010, Atlanta, Georgia, (2010)   Abstract | Full-Text | PDF
Advances in the Parallelization of Musical Applications, Battenberg, Eric; Freed, Adrian; Wessel, David , ICMC 2010, (2010)   PDF
Best Practices for Open Sound Control, Schmeder, Andrew; Freed, Adrian; Wessel, David , Linux Audio Conference, Utrecht, NL, (2010)   Abstract | PDF
Support Vector Machine Learning for Gesture Signal Estimation with a Piezo Resistive Fabric Touch Surface, Schmeder, Andrew; Freed, Adrian , NIME, Sydney, Australia, (2010)   Abstract | PDF
Spherical Directivity Resonance Synthesis, Schmeder, Andrew , Ambisonics Symposium, Paris, FR, (2010)   Abstract | PDF
The Fingerboard Instruments: Recontextualizing Lutherie without Strings , Freed, Adrian , 3rd Music and Cognition Conference, McGill University, Montreal, (2010)   Abstract
Timewarp: A Graphical Tool for the Control of Polyphonic Smoothly Varying Tempos, MacCallum, John; Schmeder, Andy , International Computer Music Conference, New York, (2010)   Abstract | PDF
Visualizations and Interaction Strategies for Hybridization Interfaces , Freed, Adrian; MacCallum, John; Schmeder, Andy; Wessel, David , New Instruments for Musical Expression, Sydney, Australia, (2010)   Abstract | PDF
2009
Joy of Hex and the Cordless Guitars of the Future, Freed, Adrian , Identités de la Guitare Electrique, 05/18/2009, Paris, France, (2009)   Abstract
A Low-level Embedded Service Architecture for Rapid DIY Design of Real-time Musical Instruments, Schmeder, Andrew; Freed, Adrian , NIME, 04/06/2009, (2009)   Abstract | PDF
Features and Future of Open Sound Control version 1.1 for NIME, Freed, Adrian; Schmeder, Andy , NIME, 04/06/2009, (2009)   Abstract | PDF
The Tactus: a Tangible, Rhythmic Grid Interface Using Found-Objects, Mann, Yotam; Lubow, Jeff; Freed, Adrian , NIME 2009, 03/06/2009, Pittsburgh, PA, (2009)   Abstract | PDF
A Generalized Mechanism for Perception of Pitch Patterns, Loui, Psyche; Wu, Elaine H.; Wessel, David L.; Knight, Robert T. , Journal of Neuroscience, 01/2009, Volume 29, Issue 2, p.454-459, (2009)   Abstract
An Exploration of Real-Time Visualizations of Musical Timbre, Siedenburg, Kai , (2009)   Abstract | PDF
Corpus-based Transcription as an Approach to the Compositional Control of Timbre , Einbond, Aaron; Schwarz, Diemo; Bresson, Jean , International Computer Music Conference, (2009)   Abstract | PDF
Efficient Gesture Storage and Retrieval for Multiple Applications Using a Relational Data Model of Open Sound Control, Schmeder, Andrew , ICMC 2009, (2009)   Abstract | PDF
Musical Applications and Design Techniques for the Gametrak Tethered Spatial Position Controller , Freed, Adrian; McCutchen, Devin; Schmeder, Andrew; Skriver Hansen, Anne-Marie; Overholt,Dan; Burleson,Winslow; Norgaard Jensen, Camilla; Mesker,Alex , SMC 2009, (2009)   Abstract | Full-Text | PDF
Novel and Forgotten Current-steering Techniques for Resistive Multitouch, Duotouch, and Polytouch Position Sensing with Pressure , Freed, Adrian , NIME 2009, (2009)   Abstract | PDF
Tone-deafness: a disconnection syndrome? , Loui, P.; Alsop, D.; Schlaug, G. , Journal of Neuroscience, Volume 29, Issue 33, p.10215-10220, (2009)   Abstract
Timbral Migration: Stochastic Processes for the Control of Smooth Spectral Tranformation, MacCallum, John; Schmeder, Andy; Wessel, David , ICMC, (2009)   Abstract | PDF
2008
Room Acoustics Measurements with an Approximately Spherical Source of 120 Drivers, Schwenke, Roger; Zotter, Franz; Schmeder, Andy; Wessel, David , ASA-EAA Joint Conference, 6/29/2008, Paris, FR, (2008)   Abstract | PDF
Implementation and Applications of Open Sound Control Timestamps, Schmeder, Andy; Freed, Adrian , ICMC, 25/08/2008, Belfast, Ireland, p.655-658, (2008)   Abstract | PDF
Studio Report: UC Berkeley Center for New Music and Audio Technologies (CNMAT), Richard Andrews , 2008 International Computer Music Conference (ICMC2008), 24/08/2008, Belfast, Ireland, (2008)   Abstract | PDF
Improvements to percussive component extraction using non-negative matrix factorization and support vector machines, Battenberg, Eric , EECS, 12/2008, Berkeley, CA, p.48, (2008)   Abstract | PDF
Crosstalk Cancellation for Spherical Loudspeaker Arrays, Franz Zotter; Andrew Schmeder; Markus Noisternig , DAGA08, 10/03/2008, Dresden, (2008)   Abstract | PDF
Sound of the Hang, David Wessel; A. Morrison; T. D Rossing , Acoustics 08, 06/29/08, Paris, France, (2008)   Abstract | PDF
uOSC: The Open Sound Control Reference Platform for Embedded Devices, Schmeder, Andy; Freed, Adrian , NIME, 05/06/2008, Genova, Italy, (2008)   Abstract | PDF
An Elementary Method for Tablet, Michael Zbyszynski , New Interfaces for Musical Expression, 05/06/08, Genova, Italy, (2008)   Abstract | PDF
Action-Perception Mismatch in Tone-Deafness, Loui, Psyche; Guenther, Frank H.; Mathys, Christoph; Schlaug, Gottfried , Current Biology, 04/2008, (2008)   Abstract
Application of new Fiber and Malleable Materials for Agile Development of Augmented Instruments and Controllers , Adrian Freed , NIME 2008, (2008)   Abstract | PDF
Applications of Environmental Sensing for Spherical Loudspeaker Arrays, Freed, Adrian; Schmeder, Andy; Zotter, Franz , IASTED Signal and Image Processing, Hawaii, (2008)   Abstract | PDF
2007
CNMAT Information Infrastructure, Schmeder, Andrew; Wright, Matthew; Freed, Adrian; Campion, Edmund; Wessel, David , International Computer Music Conference, 27/09/2007, Volume 1, Copenhagen, Denmark, p.325-328, (2007)   Abstract | PDF
Design and Implementation of CNMAT's Pedagogical Software, Michael Zbyszynski; Matthew Wright; Edmund Campion , International Computer Music Conference, 27/08/2007, Volume 2, Copenhagen, Denmark, p.57-60, (2007)   Abstract | PDF
Real-time Analysis of Sensory Dissonance, MacCallum, John; Einbond, Aaron , International Computer Music Conference, 27/08/2007, Copenhagen, Denmark, (2007)   Abstract
Harmonic Expectation and Affect in Western Music: Effects of Attention and Training, Loui, Psyche; Wessel, David , Perception & Psychophysics, 10/2007, Volume 69, Issue 7, p.1084-1092, (2007)   Abstract | PDF
Modal Parameter Tracking for Shape-Changing Geometric Objects, Maxwell, C. B.; Bindel, D. , Proc. of the 10th Int. Conference on Digital Audio Effects (DAFx-07), 10/09/2007, Bordeaux, France, (2007)   Abstract | PDF
Real-Time Reverb Simulation for Arbitrary Object Shapes, Maxwell, C. B. , Proc. of the 10th Int. Conference on Digital Audio Effects (DAFx-07), 10/09/2007, Bordeaux, France, (2007)   Abstract | PDF
A Force Sensitive Multi-touch Array Supporting Multiple 2-D Musical Control Structures, David Wessel; Rimas Avizienis; Adrian Freed; Matthew Wright , New Interfaces for Musical Expression, 07/06/2007, New York, p.41-45, (2007)   Abstract | PDF
Ten Years of Tablet Musical Interfaces at CNMAT, Michael Zbyszynski; Matthew Wright; Ali Momeni; Daniel Cullen , New Interfaces for Musical Expression, 07/06/2007, New York, p.100-105, (2007)   Abstract | PDF
Optimizing Hearing Aids for Music Listening, Wessel, David; Fitz, Kelly; Battenberg, Eric; Schmeder, Andrew; Edwards, Brent , 19th International Congress on Acoustics, 02/09/2007, Madrid, Spain, (2007)   Abstract | PDF
Perceiving new music recruits flexible neural mechanisms, Loui, Psyche; Wessel, David; Wu, E.H.; Knight, R.T. , Cognitive Neuroscience Society, p.48, (2007)
Realtime Multiple-Pitch and Multiple-Instrument Recognition for Music Signals Using Sparse Non-Negative Constraints, Arshia Cont; Shlomo Dubnov; David Wessel , 10th International Conference on Digital Audio Effects (DAFx-07), p.85-92, (2007)   Abstract | PDF
2006
Active Damping Of A Vibrating String, Berdahl, Edgar J.; Smith III, Julius O.; Freed, Adrian , 6th International Symposium on Active Noise and Vibration Control, 2006/09/18, Adelaide, Australia, (2006)   Abstract | PDF
Timbre as a Psychoacoustic Parameter for Harmonic Analysis, MacCallum, John; Einbond, Aaron , Rocky Mountain Society for Music Theory, 2006/03/31, Denver, CO, p.N/A, (2006)   Abstract
Convergent Voices: Perception in Lutoslawski, Berio, Boulez, Einbond, Aaron , 6th annual GAMMA-UT conference, 2006/03/25, University of Texas at Austin, p.no publication, (2006)   Abstract
An Enactive Approach to Computer Music Performance, Wessel, David , Le Feedback dans la Creation Musical, Lyon, France, p.93-98, (2006)   Abstract | PDF
A Compact 120 Independent Element Spherical Loudspeaker Array with Programmable Radiation Patterns, Avizienis, Rimas; Freed, Adrian; Kassakian, Peter; Wessel, David , Audio Engineering Society 120th Convention, Paris, France, p.Convention Paper No. 6783, (2006)   Abstract | Full-Text | PDF
Augmenting the Cello, Freed, Adrian; Uitti, Frances-Marie; Wessel, David; Zbyszynski, Michael F. , International Conference on New Interfaces for Musical Expression, Paris, France, p.409-413, (2006)   Abstract | Full-Text