Selected Research Publications from CNMAT from 1989 to the Present

Areas of Research include:

  • Protocol and encoding development including Open Sound Control (OSC) and the Sound Description Interchange Format (SDIF)
  • New sensor technologies and interface modalities: sensor fusion, integration.
  • New sense-enabled media: conductive/resistive fibre, malleable media.
  • eTextile, conductive paper and other materials for the New Lutherie
  • Many-channel digital audio interfaces; hundreds of channels over common ethernet. FPGA-based audio systems development.
  • Parallel computing theory in music/audio computing; algorithms, requirements.
  • Musical interactivity tools including digitizing tablets, multitouch and manytouch surfaces.
  • New user-interfaces for interaction with expressive musical/auditory environments, e.g. spatial mapping with dimensionality reduction.
  • Theoretical and applied spatial acoustics of loudspeaker and microphone arrays, especially in spherical configurations
  • Musical quality; metrics, augmentation, compression, hearing loss.
  • Signal-theory for musical gestures; requirements on jitter and latency, expressive bandwidth estimation
  • Semantics, requirements and cognitive models of music performance and their implications for software design patterns
  • Sound analysis for event detection, pitch and noise estimation and auditory perceptual models
  • Machine learning applications in audio synthesis and musical control
  • Auditory psychophysics and music cognition and perception
  • Curation and Development of real-time music and audio software tools.
Rodet X. Models of musical instruments from Chua's circuit with time delay. IEEE Transactions on Circuits and Systems II: Analog and Digital Signal Processing [Internet]. 1993;40:696-701. http://cnmat.berkeley.edu/publications/models_musical_instruments_chuas_circuit_time_delay Rodet X. Sound and music from Chua's circuit. Journal of Circuits, Systems and Computers [Internet]. 1993;3:49-61. http://cnmat.berkeley.edu/publications/sound_and_music_chuas_circuit Zicarelli D, Lee MA. The Max Timeline Object. In International Computer Music Conference [Internet]. Tokyo, Japan: International Computer Music Association; 1993. pp. 453-456. http://cnmat.berkeley.edu/publications/max_timeline_object Freed A. New Tools for Rapid Prototyping of Musical Sound Synthesis Algorithms and Control. In International Computer Music Conference [Internet]. San Jose, CA: International Computer Music Association; 1992. pp. 178-181. http://cnmat.berkeley.edu/publications/new_tools_rapid_prototyping_musical_sound_synthesis_algorithms_and_control Hajdu G. 17 Tones. In International Computer Music Conference [Internet]. San Jose, CA: International Computer Music Association; 1992. pp. 449-450. http://cnmat.berkeley.edu/publications/17_tones Lee MA, Freed A, Wessel D. Neural networks for simultaneous classification and parameter estimation in musical instrument control. In Adaptive and Learning Systems [Internet]. Orlando, FL, USA; 1992. pp. 244-55. http://cnmat.berkeley.edu/publications/neural_networks_simultaneous_classification_and_parameter_estimation_musical_instrument_control Lee MA, Garnett G, Wessel D. An Adaptive Conductor Follower. In International Computer Music Conference [Internet]. San Jose, CA: International Computer Music Association; 1992. pp. 454-455. http://cnmat.berkeley.edu/publications/adaptive_conductor_follower Lee MA, Wessel D. Connectionist models for real-time control of synthesis and compositional algorithms. In International Computer Music Conference [Internet]. San Jose, CA: International Computer Music Association; 1992. pp. 277-280. http://cnmat.berkeley.edu/publications/connectionist_models_real_time_control_synthesis_and_compositional_algorithms Rodet X. Nonlinear Oscillator Models of Musical Instrument Excitation. In International Computer Music Conference [Internet]. San Jose, CA: International Computer Music Association; 1992. pp. 412-413. http://cnmat.berkeley.edu/publications/nonlinear_oscillator_models_musical_instrument_excitation Sandell GJ, Martens WL. Prototyping and Interpolation of Multiple Music Timbres Using Principal Component-Based Synthesis. In International Computer Music Conference [Internet]. San Jose, CA: International Computer Music Association; 1992. pp. 34-37. http://cnmat.berkeley.edu/publications/prototyping_and_interpolation_multiple_music_timbres_using_principal_component_based_synthesis Wessel D. Connectionist Models for Musical Control of Nonlinear Dynamical Systems. Journal of Acoustical Society of America [Internet]. 1992;92. http://cnmat.berkeley.edu/publications/connectionist_models_musical_control_nonlinear_dynamical_systems Delehanty L, Garnett G. CNMAT Studio Report: New Music Performance and Composition Research. In International Computer Music Conference [Internet]. McGill University: International Computer Music Association; 1991. pp. 388-391. http://cnmat.berkeley.edu/publications/cnmat_studio_report_new_music_performance_and_composition_research Freed A, Wessel D, Zicarelli D. MAX Objects for Media Integration. In International Computer Music Conference [Internet]. McGill University: International Computer Music Association; 1991. pp. 397-400. http://cnmat.berkeley.edu/publications/max_objects_media_integration Garnett G. Musical Signals, and Representations: A Survey [Internet]. dePoli G, Piccialli A, Roads C. Representations of Musical Signals. Cambridge, MA: MIT Press; 1991. http://cnmat.berkeley.edu/publications/musical_signals_and_representations_survey Hajdu G. Computermusik in der Bay Area. Neue Zeitschift fr Musik [Internet]. 1991;. http://cnmat.berkeley.edu/publications/computermusik_der_bay_area

Pages