Selected Research Publications from CNMAT from 1989 to the Present

Areas of Research include:

  • Protocol and encoding development including Open Sound Control (OSC) and the Sound Description Interchange Format (SDIF)
  • New sensor technologies and interface modalities: sensor fusion, integration.
  • New sense-enabled media: conductive/resistive fibre, malleable media.
  • eTextile, conductive paper and other materials for the New Lutherie
  • Many-channel digital audio interfaces; hundreds of channels over common ethernet. FPGA-based audio systems development.
  • Parallel computing theory in music/audio computing; algorithms, requirements.
  • Musical interactivity tools including digitizing tablets, multitouch and manytouch surfaces.
  • New user-interfaces for interaction with expressive musical/auditory environments, e.g. spatial mapping with dimensionality reduction.
  • Theoretical and applied spatial acoustics of loudspeaker and microphone arrays, especially in spherical configurations
  • Musical quality; metrics, augmentation, compression, hearing loss.
  • Signal-theory for musical gestures; requirements on jitter and latency, expressive bandwidth estimation
  • Semantics, requirements and cognitive models of music performance and their implications for software design patterns
  • Sound analysis for event detection, pitch and noise estimation and auditory perceptual models
  • Machine learning applications in audio synthesis and musical control
  • Auditory psychophysics and music cognition and perception
  • Curation and Development of real-time music and audio software tools.
Berdahl EJ, III JOSmith, Freed A. Active Damping Of A Vibrating String. In 6th International Symposium on Active Noise and Vibration Control [Internet]. Adelaide, Australia; 2006. http://cnmat.berkeley.edu/publications/active_damping_vibrating_string Bruyns C, Bindel D. Shape Changing Symmetric Objects for Sound Synthesis. In AES 121 [Internet]. San Francisco, CA; 2006. http://cnmat.berkeley.edu/publications/shape_changing_symmetric_objects_sound_synthesis Einbond A. Convergent Voices: Perception in Lutoslawski, Berio, Boulez. In 6th annual GAMMA-UT conference [Internet]. University of Texas at Austin; 2006. p. no publication. http://cnmat.berkeley.edu/publications/convergent_voices_perception_lutoslawski_berio_boulez Freed A, Uitti F-M, Wessel D, Zbyszynski MF. Augmenting the Cello. In International Conference on New Interfaces for Musical Expression [Internet]. Paris, France; 2006. pp. 409-413. http://cnmat.berkeley.edu/publications/augmenting_cello Freed A, Lee A, Schott J, Uitti F-M, Wright M, Zbyszynski MF. Comparing Musical Control Structures and Signal Processing Strategies for the Augmented Cello and Guitar. In International Computer Music Conference [Internet]. New Orleans, LA: International Computer Music Association; 2006. pp. 636-642. http://cnmat.berkeley.edu/publications/comparing_musical_control_structures_and_signal_processing_strategies_augmented_cello_and_guitar Freed A, Avizienis R, Wright M. Beyond 0-5V: Expanding Sensor Integration Architectures. In International Conference on New Interfaces for Musical Expression [Internet]. Paris, France; 2006. pp. 97-100. http://cnmat.berkeley.edu/publications/beyond_0_5v_expanding_sensor_integration_architectures Freed A. Music MetaData Quality: a multiyear Case Study using the Music of Skip James. In AES 121 [Internet]. San Francisco, CA; 2006. http://cnmat.berkeley.edu/publications/music_metadata_quality_multiyear_case_study_using_music_skip_james Kassakian P. Convex Approximation with Applications in Magnitude Filter Design and Beamforming. EECS. [Berkeley, CA]: University of California, Berkeley; 2006. Loui P, Wessel D, Kam CHudson. Acquiring New Musical Grammars: a Statistical Learning Approach. In 28th Annual Conference of the Cognitive Science Society [Internet]. Vancouver, Canada: Congnitive Science Society; 2006. pp. 1711-1716. http://ist-socrates.berkeley.edu/~psyche/Research/CogSci2006.pdf Loui P, Wessel D. Acquiring New Musical Grammars: a Statistical Learning Approach. In 9th International Conference for Music Perception and Cognition. Bologna, Italy; 2006. pp. 1009-1017. Loui P, Wessel D. Attentional Fluctuations Across Frequency and Amplitude: a Dual-Task Study. In Cognitive Neuroscience Society (Poster Presentaton) [Internet]. San Francisco, California; 2006. p. 84. http://cnmat.berkeley.edu/publications/attentional_fluctuations_across_frequency_and_amplitude_dual_task_study MacCallum J, Einbond A. Real-Time Analysis of Sensory Dissonance. Berkeley, CA: CNMAT, Department of Music, University of California Berkeley; 2006 . Wessel D. An Enactive Approach to Computer Music Performance [Internet]. Orlarey Y. Le Feedback dans la Creation Musical. Lyon, France: Studio Gramme; 2006. pp. 93-98. http://www.grame.fr/RMPD/RMPD2006/pdf2006/wessel-1.pdf Wright M. Shifty Looping: meter-aware, non-repeating rhythmic loops [Internet]. International Computer Music Conference. New Orleans, LA: International Computer Music Association; 2006. p. 44. http://cnmat.berkeley.edu/publications/shifty_looping_meter_aware_non_repeating_rhythmic_loops Wright M, Berdahl EJ. Towards Machine Learning of Expressive Microtiming in Brazilian Drumming [Internet]. International Computer Music Conference. New Orleans, LA: International Computer Music Association; 2006. pp. 572-575. http://ccrma.stanford.edu/~eberdahl/Projects/Microtiming

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