Selected Research Publications from CNMAT from 1989 to the Present

Areas of Research include:

  • Protocol and encoding development including Open Sound Control (OSC) and the Sound Description Interchange Format (SDIF)
  • New sensor technologies and interface modalities: sensor fusion, integration.
  • New sense-enabled media: conductive/resistive fibre, malleable media.
  • eTextile, conductive paper and other materials for the New Lutherie
  • Many-channel digital audio interfaces; hundreds of channels over common ethernet. FPGA-based audio systems development.
  • Parallel computing theory in music/audio computing; algorithms, requirements.
  • Musical interactivity tools including digitizing tablets, multitouch and manytouch surfaces.
  • New user-interfaces for interaction with expressive musical/auditory environments, e.g. spatial mapping with dimensionality reduction.
  • Theoretical and applied spatial acoustics of loudspeaker and microphone arrays, especially in spherical configurations
  • Musical quality; metrics, augmentation, compression, hearing loss.
  • Signal-theory for musical gestures; requirements on jitter and latency, expressive bandwidth estimation
  • Semantics, requirements and cognitive models of music performance and their implications for software design patterns
  • Sound analysis for event detection, pitch and noise estimation and auditory perceptual models
  • Machine learning applications in audio synthesis and musical control
  • Auditory psychophysics and music cognition and perception
  • Curation and Development of real-time music and audio software tools.
Wright M, Wessel D, Freed A. New Musical Control Structures from Standard Gestural Controllers. In International Computer Music Conference. Thessaloniki, Hellas: International Computer Music Association; 1997. pp. 387-390. Freed A. Music And Audio Technology Projects To Stir Your Imagination. Computer Music Journal [Internet]. 1996;20:4-4. http://www.mitpressjournals.org/loi/comj Goodwin M. Residual modeling in music analysis-synthesis. In Acoustics, Speech, and Signal Processing, 1996. ICASSP-96. Conference Proceedings., 1996 IEEE International Conference on [Internet]. 1996. pp. 1005-1008. http://ieeexplore.ieee.org/xpls/abs_all.jsp?arnumber=543293 Kartadinata S. Algorithms for Combined Sound Analysis andSynthesis and their Implementation in a Multi-Processor Environment. Universitt Karlsruhe; 1996. McMillen K, Simon D, Wright M. Communications network interface, and adapter and method therefor. United States: Zeta Music Partners; 1996. Brecht B, Garnett G. Conductor Follower. In International Computer Music Conference. Banff, Canada: International Computer Music Association; 1995. pp. 185-186. Freed A. Bring Your Own Control Additive Synthesis. In International Computer Music Conference. Banff, Canada: International Computer Music Association; 1995. pp. 303-306. Freed A. Improving Graphical User Interfaces For Computer Music Applications. Computer Music Journal [Internet]. 1995;19:4-5. http://www.mitpressjournals.org/loi/comj Goodwin M, Kogon A. Overlap-add synthesis of nonstationary sinusoids. In Proceedings of the 1995 International Computer Music Conference [Internet]. 1995. pp. 355-356. http://citeseer.ist.psu.edu/goodwin95overlapadd.html Lee MA, Wessel D. Soft computing for real-time control of musical processes. In 1995 IEEE International Conference on Systems, Man and Cybernetics. Intelligent Systems for the 21st Century (Cat. No.95CH3576-7) 1995 IEEE International Conference on Systems, Man and Cybernetics. Intelligent Systems for the 21st Century. Vancouver, BC, Canada: Ieee; 1995. pp. 2748-53 vol.3. Wright M. A Hierarchy of Perceptually Meaningful Controls in ZIPI's Music Parameter Description Language (MPDL). In: Wessel D. Society for Music Perception and Cognition. Berkeley, CA: CNMAT; 1995. p. 14. Freed A. The Rebirth of Computer Music by Analog Signal Processing. In International Computer Music Conference. Aarhus, Denmark: International Computer Music Association; 1994. pp. 435-442. Freed A, Goldstein M, Goodwin M, Lee MA, McMillen K, Rodet X, et al.. Real-Time Additive Synthesis Controlled by a Mixture of Neural-Networks and Direct Manipulation of Physical and Perceptual Attributes. In International Computer Music Conference. Aarhus, Denmark: International Computer Music Association; 1994. pp. 362-363. Freed A. Codevelopment of user interface, control and digital signal processing with the HTM environment. In 5th International Conference on Signal Processing Applications and Technology. Dallas, TX, USA: DSP Associates; 1994. pp. 1179-83. Goodwin M, Rodet X. Efficient Fourier synthesis of nonstationary sinusoids. In Proceedings of the 1994 International Computer Music Conference [Internet]. 1994. pp. 333-334. http://citeseer.ist.psu.edu/goodwin94efficient.html

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