Selected Research Publications from CNMAT from 1989 to the Present

Areas of Research include:

  • Protocol and encoding development including Open Sound Control (OSC) and the Sound Description Interchange Format (SDIF)
  • New sensor technologies and interface modalities: sensor fusion, integration.
  • New sense-enabled media: conductive/resistive fibre, malleable media.
  • eTextile, conductive paper and other materials for the New Lutherie
  • Many-channel digital audio interfaces; hundreds of channels over common ethernet. FPGA-based audio systems development.
  • Parallel computing theory in music/audio computing; algorithms, requirements.
  • Musical interactivity tools including digitizing tablets, multitouch and manytouch surfaces.
  • New user-interfaces for interaction with expressive musical/auditory environments, e.g. spatial mapping with dimensionality reduction.
  • Theoretical and applied spatial acoustics of loudspeaker and microphone arrays, especially in spherical configurations
  • Musical quality; metrics, augmentation, compression, hearing loss.
  • Signal-theory for musical gestures; requirements on jitter and latency, expressive bandwidth estimation
  • Semantics, requirements and cognitive models of music performance and their implications for software design patterns
  • Sound analysis for event detection, pitch and noise estimation and auditory perceptual models
  • Machine learning applications in audio synthesis and musical control
  • Auditory psychophysics and music cognition and perception
  • Curation and Development of real-time music and audio software tools.
Valle R, Donz A, Fremont D, Akkaya I, Seshia S, Freed A, et al.. Specification Mining For Machine Improvisation With Formal Specifications. ACM : Computers in Entertainment (Musical Metacreation). Submitted;. Valle R, Fremont DJ, Akkaya I, Donze A, Freed A, Seshia SS. Learning and Visualizing Music Specifications Using Pattern Graphs. In International Society for Music Information Retrieval Conference. New York; Submitted. Banerji R. Balancing Defiance and Cooperation: The Design and Human Critique of a Virtual Free Improviser. In ICMC 2016. Utrecht: ICMA; 2016. Freed A. David Wessels Slabs: a case study in Preventative Digital Musical Instrument Conservation. In SMC2016. Hamburg; 2016. Freed A. Sounds from the Electrified Human Body: Reconfigurations of Embodied and Encultured Knowledge from the development of Electrosomatophones. In Bodies of Knowledge BOK2016. UC Irvine; 2016. Sha XWei, Solomonova E, Freed A, Veissire S, Formis B, MacCallum J. Experimental Collective Experience. In UC Irvine; 2016. Valle R. ABROA : Audio-based Room-occupancy Analysis using Gaussian Mixtures and Hidden Markov Models. In Future Technologies Conference (FTC) 2016. San Francisco; 2016. . Dynamic Message-Oriented Middleware with Open Sound Control and Odot. In International Computer Music Conference. University of North Texas, Denton, TX, USA; 2015. Bresson J, Bouche D, Garcia J, Carpentier T, Jacquemard F, MacCallum J, et al.. PROJET EFFICACE : DVELOPPEMENTS ET PERSPECTIVES EN COMPOSITION ASSISTE PAR ORDINATEUR. In Journes d'Informatique Musicale. Montral, QC, Canada; 2015. Bresson J, MacCallum J. Tempo Curving as a Framework for Interactive Computer-Aided Composition. In Sound and Music Computing. Maynooth, Ireland; 2015. Freed A, Wessel D. An Accessible Platform for Exploring Haptic Interactions with Co-located Capacitive and Piezoresistive Sensors. In TEI 2015. Stanford, California: ACM; 2015. Gottfried R. SVG to OSC Transcoding: Towards a Platform for Notational Praxis and Electronic Performance. In International Conference on Technologies for Music Notation and Representation (TENOR). Paris, France; 2015. MacCallum J, Goodheart M, Freed A. Antony: A Reimagining. In International Computer Music Conference. University of North Texas, Denton, TX, USA; 2015. MacCallum J, Naccarato T. The Impossibility of Control: Real-time Negotiations with the Heart. In Electronic Visualization in the Arts. London, UK; 2015. Madgwick S, Mitchell T, Barreto C, Freed A. Simple Synchronization for Open Sound Control. In ICMC. Texas: ICMA; 2015.