often explores musical indeterminacy and environmental sound shaping. By situating commonly found waste materials, he hopes to design instruments that can be easily replicated as sound sculptures or performative objects. Larsen tone audio feedback systems, sensors, and the acoustical properties of cylinders, cones, and spheres are of central concern. He seeks to apply his designs in public spaces through adaptive, temporary, and spontaneous points of interaction.

> Standing Wave Audio Feedback Prototype (2018)

> Open Cylinder Waveguide Prototype (2017)