Audio

Singing the Lines I: Light Changes

Posted by Amadeus Regucera on July 21, 2009

Singing the lines (2008) for soprano, flute/piccolo, B-flat clarinet, double bass, percussion, and piano, 9’
music by Cindy Cox
text by John Campion
I. “Light changes”
II. “Walking, Naming It”

performed by Lucy Shelton, soprano
Berkeley Contemporary Chamber Players
David Milnes, conducting

Project

Playing a round

Program note:
A few years ago, Jane Chapman and Kate Ryder of the duo keynote+ gave a memorable concert at CNMAT. Their combination of harpsichord and prepared piano created a strikingly unusual sound-world—and I thought, what a strange and interesting combination! Such noisy pitches! I grew excited thinking about all of the new possibilities for a piece.

Audio

Playing a round V: Coming back

Posted by Amadeus Regucera on July 21, 2009

From keynote+’s UC Berkeley Noon Concert, recorded Spring 2008 at Hertz Hall (Robert Shumaker, sound engineer)
keynote+ is Jane Chapman (harpsichord) & Kate Ryder (prepared piano)

Audio

Playing a round IV: A note to follow sol

Posted by Amadeus Regucera on July 21, 2009

From keynote+’s UC Berkeley Noon Concert, recorded Spring 2008 at Hertz Hall (Robert Shumaker, sound engineer)
keynote+ is Jane Chapman (harpsichord) & Kate Ryder (prepared piano)

Audio

Playing a round III: Frame Switch

Posted by Amadeus Regucera on July 21, 2009

From keynote+’s UC Berkeley Noon Concert, recorded Spring 2008 at Hertz Hall (Robert Shumaker, sound engineer)
keynote+ is Jane Chapman (harpsichord) & Kate Ryder (prepared piano)

Audio

Playing a round II: Machinations

Posted by Amadeus Regucera on July 21, 2009

From keynote+'s UC Berkeley Noon Concert, recorded Spring 2008 at Hertz Hall (Robert Shumaker, sound engineer)
keynote+ is Jane Chapman (harpsichord) & Kate Ryder (prepared piano)

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