Recorded sound samples are analyzed into a frequency domain representation (AudioSculpt, Spear, SoundHack). Partials and other analysis results are manipulated and re-synthesized in real-time or by creating new hybrid sound files.


Losing Touch

Losing Touch (duration 11') for vibraphone and fixed electronics was composed in 1994. The piece is published by Billaudot Editions (Catalog #GB7027) in Paris (Theodor Presser, US representative). A complete published edition with rehearsal CD and mono performance tape is available for student performance from several on-line dealers.