New music exhibits novelty in its situation, presentation, compositional process, performance practice, or outcome. In some pieces, that novelty is dependent on or derived from the use of technology.
Commissioned and Performed by The Miami Symphony Orchestra
Premiered as part of the 2009 edition of Festival Miami (University of Miami)
Conductor: Eduardo Marturet
Version History:
Move, tongue is an attempt to create a non-linear space in sound, where the order of events is not important but rather the experience and perception of their coexistence. In my mind this is analogous to the act of being in a physical space (say a room or a park) and after perceiving it with whatever degree of detail, one arrives at an internal conception — a modeling — of the space.
