Biblio
Found 289 results
1997
M. Goodwin, “Matching pursuit with damped sinusoids”, in ICASSP IEEE International Conference on Acoustics, Speech, and Signal Processing, 1997, vol. 3, pp. 2037-2040.
M. Wright, Wessel, D., and Freed, A., “New Musical Control Structures from Standard Gestural Controllers”, in International Computer Music Conference, Thessaloniki, Hellas, 1997, pp. 387-390.
V. Iyer, Bilmes, J., Wessel, D., and Wright, M., “A Novel Representation for Rhythmic Structure”, in International Computer Music Conference, Thessaloniki, Hellas, 1997, pp. 97-100.
M. Wright and Freed, A., “Open Sound Control: A New Protocol for Communicating with Sound Synthesizers”, in International Computer Music Conference, Thessaloniki, Hellas, 1997, pp. 101-104.
A. Freed, Chaudhary, A., and Davila, B., “Operating Systems Latency Measurement and Analysis for Sound Synthesis and Processing Applications”, in International Computer Music Conference, Thessaloniki, Hellas, 1997, pp. 479-481.
1996
S. Kartadinata, “Algorithms for Combined Sound Analysis andSynthesis and their Implementation in a Multi-Processor Environment”, Universitt Karlsruhe, 1996.
K. McMillen, Simon, D., and Wright, M., “Communications network interface, and adapter and method therefor”, 1996.
A. Freed, “Music And Audio Technology Projects To Stir Your Imagination”, Computer Music Journal, vol. 20, pp. 4-4, 1996.
M. Goodwin, “Residual modeling in music analysis-synthesis”, in Acoustics, Speech, and Signal Processing, 1996. ICASSP-96. Conference Proceedings., 1996 IEEE International Conference on, 1996, vol. 2, pp. 1005-1008.
1995
A. Freed, “Bring Your Own Control Additive Synthesis”, in International Computer Music Conference, Banff, Canada, 1995, pp. 303-306.
B. Brecht and Garnett, G., “Conductor Follower”, in International Computer Music Conference, Banff, Canada, 1995, pp. 185-186.
M. Wright, “A Hierarchy of Perceptually Meaningful Controls in ZIPI's Music Parameter Description Language (MPDL)”, in Society for Music Perception and Cognition, Berkeley, CA, 1995, p. 14.
A. Freed, “Improving Graphical User Interfaces For Computer Music Applications”, Computer Music Journal, vol. 19, pp. 4-5, 1995.
M. Goodwin and Kogon, A., “Overlap-add synthesis of nonstationary sinusoids”, in Proceedings of the 1995 International Computer Music Conference, 1995, pp. 355-356.
M. A. Lee and Wessel, D., “Soft computing for real-time control of musical processes”, in 1995 IEEE International Conference on Systems, Man and Cybernetics. Intelligent Systems for the 21st Century (Cat. No.95CH3576-7) 1995 IEEE International Conference on Systems, Man and Cybernetics. Intelligent Systems for the 21st Century, Vancouver, BC, Canada, 1995, pp. 2748-53 vol.3.
1994
M. Wright, “Answers to frequently asked questions about ZIPI”, Computer Music Journal, vol. 18, pp. 92-6, 1994.
A. Freed, “Codevelopment of user interface, control and digital signal processing with the HTM environment”, in 5th International Conference on Signal Processing Applications and Technology, Dallas, TX, USA, 1994, vol. 2, pp. 1179-83.
A. Leroy, Muller, G., and Garnett, G., “The Design of a Pen-Based Music Notation System”, in International Computer Music Conference, Aarhus, Denmark, 1994, pp. 286-292.
M. Goodwin and Rodet, X., “Efficient Fourier synthesis of nonstationary sinusoids”, in Proceedings of the 1994 International Computer Music Conference, 1994, pp. 333-334.
K. McMillen, Simon, D., Wessel, D., and Wright, M., “A New Network and Communications Protocol for Electronic Musical Devices”, in International Computer Music Conference, Aarhus, Denmark, 1994, pp. 443-446.
A. Peevers, “A Real-Time 3D Signal Analysis/Synthesis Tool Based on the Overlap-Add Short-Time Fourier Transform”, UC Berkeley, Berkeley, CA, 1994.
A. Freed, Goldstein, M., Goodwin, M., Lee, M. A., McMillen, K., Rodet, X., Wessel, D., and Wright, M., “Real-Time Additive Synthesis Controlled by a Mixture of Neural-Networks and Direct Manipulation of Physical and Perceptual Attributes”, in International Computer Music Conference, Aarhus, Denmark, 1994, pp. 362-363.
A. Freed, “The Rebirth of Computer Music by Analog Signal Processing”, in International Computer Music Conference, Aarhus, Denmark, 1994, pp. 435-442.