Found 285 results
2002
M. Zbyszynski, Daguerreotype. 2002.
V. Iyer, Embodied Mind, Situated Cognition, and Expressive Microtiming in African-American Music, Music Perception, vol. 19, p. 387414, 2002.
D. Wessel, Wright, M., and Schott, J., Intimate Musical Control of Computers with a Variety of Controllers and Gesture Mapping Metaphors, in International Conference on New Interfaces for Musical Expression (NIME), Dublin, Ireland, 2002, pp. 171-173.
D. Wessel, Live interactive computer music and performance practice, Journal of the Acoustical Society of America, vol. 3, pp. 2348-2348, 2002.
A. Chaudhary, Open Sound World, 2002.
M. Wright, OpenSound Control Specification, 2002.
M. Wright, Problems and Prospects for intimate and satisfying sensor-based control of computer sound, in Symposium on Sensing and Input for Media-Centric Systems (SIMS), Santa Barbara, CA, 2002, pp. 1-6.
D. Wessel and Wright, M., Problems and Prospects for Intimate Musical Control of Computers, Computer Music Journal, vol. 26, pp. 11-22, 2002.
D. Wessel, Wright, M., and Schott, J., Situated Trio: An Interactive Live Performance for a Hexaphonic Guitarist and Two Computer Musicians with Expressive Controllers, in International Conference on New Interfaces for Musical Expression (NIME), Dublin, Ireland, 2002, pp. 171-173.
O. Warusfel, Blauert, J., and Wessel, D., Synopsis of reverberation enhancement systems, in Proceedings of the 3rd European Congress on Acoustics, Sevilla, Spain, 2002.
2001
R. Andrews, CNMAT Studio Report, in International Computer Music Conference, Habana, Cuba, 2001, pp. 393-396.
J. Baird, Meyer, J., Meyer, P., Kassakian, P., and Wessel, D., Controlling Loudspeaker Array Radiation in Three Dimensions, in 111th Audio Engineering Society Convention, New York, NY, 2001, p. Convention Paper.
O. Warusfel and Misdariis, N., Directivity Synthesis with a 3D Array of Loudspeakers, Application for Stage Performance, in DAFX, 2001.
A. Chaudhary, Wessel, D., and Rowe, L. A., Listener Evaluation of Reduction Strategies for Sinusoidal and Resonance Models, in International Computer Music Conference, Habana, Cuba, 2001, pp. 227-230.
M. Wright, Freed, A., Lee, A., Madden, T., and Momeni, A., Managing Complexity with Explicit Mapping of Gestures to Sound Control with OSC, in International Computer Music Conference, Habana, Cuba, 2001, pp. 314-317.
A. S. Chaudhary, Perceptual Scheduling in Real-time Music and Audio Applications, University of California, Berkeley, 2001.
T. Madden, Smith, R. Bruce, Wright, M., and Wessel, D., Preparation for Interactive Live Computer Performance in Collaboration with a Symphony Orchestra, in International Computer Music Conference, Habana, Cuba, 2001, pp. 310-313.
C. Cox, World a Tuning Fork. World a Tuning Fork Press, Oakland, CA, 2001.
2000
M. Wright, Beauchamp, J., Fitz, K., Rodet, X., Rbel, A., Serra, X., and Wakefield, G., Analysis/Synthesis Comparison, Organised Sound, vol. 5, pp. 173-189, 2000.
R. Andrews, Center for New Music and Audio Technologies (CNMAT): Studio Report, in International Computer Music Conference, Berlin, Germany, 2000, pp. 417-420.
D. Schwarz and Wright, M., Extensions and Applications of the SDIF Sound Description Interchange Format, in International Computer Music Conference, Berlin, Germany, 2000, pp. 481-484.
V. Pulkki, Generic Panning Tools for MAX/MSP, in International Computer Music Conference, Berlin, Germany, 2000.
D. Richard, Music as HandWerk, the middle way between Vorhandenheit and Zuhandenheit, in International Computer Music Conference, Berlin, Germany, 2000, pp. 5-7.
A. Freed and Isvan, O., Musical Applications of New, Multi-axis Guitar String Sensors, in International Computer Music Conference, Berlin, Germany, 2000, pp. 543-546.
A. Freed and Avizienis, R., A New Music Keyboard featuring Continuous Key-position Sensing and High-speed Communication Options, in International Computer Music Conference, Berlin, Germany, 2000, pp. 515-516.

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