Found 285 results
A. Freed and Wessel, D., An Accessible Platform for Exploring Haptic Interactions with Co-located Capacitive and Piezoresistive Sensors, in TEI 2015, Stanford, California, 2015.
J. MacCallum, Goodheart, M., and Freed, A., Antony: A Reimagining, in International Computer Music Conference, University of North Texas, Denton, TX, USA, 2015.
R. Valle and Freed, A., Batera : Drummer Agent with Style Learning and Interpolation, in Study Day On Computer Simulation Of Musical Creativity, University of Huddersfield, UK, 2015.
J. MacCallum, Gottfried, R., Rostovtsev, I., Bresson, J., and Freed, A., Dynamic Message-Oriented Middleware with Open Sound Control and Odot, in International Computer Music Conference, University of North Texas, Denton, TX, USA, 2015.
D. Wessel, Battenberg, E., Schmeder, A., Kelly, F., and Edwards, B., Hearing aid fitting procedure and processing based on subjective space representation, U.S. Patent 8948427B22015.
J. MacCallum and Naccarato, T., The Impossibility of Control: Real-time Negotiations with the Heart, in Electronic Visualization in the Arts, London, UK, 2015.
J. Bresson, Bouche, D., Garcia, J., Carpentier, T., Jacquemard, F., MacCallum, J., and Schwarz, D., PROJET EFFICACE : DVELOPPEMENTS ET PERSPECTIVES EN COMPOSITION ASSISTE PAR ORDINATEUR, in Journes d'Informatique Musicale, Montral, QC, Canada, 2015.
S. Madgwick, Mitchell, T., Barreto, C., and Freed, A., Simple Synchronization for Open Sound Control, in ICMC, Texas, 2015.
R. Gottfried, SVG to OSC Transcoding: Towards a Platform for Notational Praxis and Electronic Performance, in International Conference on Technologies for Music Notation and Representation (TENOR), Paris, France, 2015.
R. Valle and Freed, A., Symbolic Music Similarity using Neuronal Periodicity and Dynamic Programming, Mathematics and Computation in Music. Springer, London, UK, 2015.
J. Bresson and MacCallum, J., Tempo Curving as a Framework for Interactive Computer-Aided Composition, in Sound and Music Computing, Maynooth, Ireland, 2015.