A look back at some items in our archives.
Maija Hynninen, CNMAT affiliate composer, works in concert music, electronic instrument design, and multidisciplinary performances. The essence of her music builds on the unique moments where the parameters of this world are slightly altered to allow a glimpse of another reality to be present.
At the invitation of Professor Carmine-Emanuele Cella, and with the support of the Department of Music, Ensemble l’Itinéraire, one of the leading European ensembles dedicated to the performance of new music, will be in residence at CNMAT in October. The residency will culminate in a concert featuring CNMAT-affiliated composers.
As part of CNMAT’s OpenLab series, the first meeting of the machine learning and music working group will convene this Thursday, November 9, from 4-5:30 pm at CNMAT (1750 Arch Street). The purpose of the group is to bring together those who are working on research and/or artistic projects that relate to music and machine learning. This is an open meeting in which all are welcome to join.
Roger Reynolds at 90: PASSAGE and Persistence
In celebration of Roger Reynolds’ 90th year, CNMAT and the Department of Music will be sponsoring and hosting a colloquium and concert. The colloquium will be held on March 8, 2024 at and the concert will be held on March 9, 2024. There will also be an invitation only concert at Meyer Theater. See our event listings for more information.
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An evening of spontaneous music by three master improvisers. Electro-acoustic composer/improviser, educator, Zeena Parkins is a pioneer of contemporary harp practices. Using expanded techniques, object preparations, and electronic processing she has re-defined the instrument’s capacities. Concurrently, Parkins self-designed a series of one-of-a kind electric instruments. She leans into the harp’s physical limitations pushing its boundaries and impossibilities.
CNMAT welcomes Tom Oberheim! Tom will be feature in a CNMAT open lab on Feb 23, 2024 at 3pm.
Tom Oberheim is an American inventor, instrument designer and electronic music pioneer. From his involvement in the emerging electronic music industry of the 1960’s to the present day, Tom has been a leading figure in synthesizer design and introduced many notable innovations in the electronic music field which have since become universal.
CNMAT welcomes PARK Chi-Wan, PIRI (Korean Bamboo Oboe) master and Senior Member at the Gugak Center in Korea, for a special visit in preparation for next year's 2025 Korean Electronic Music Festival (KEMF), to take place in Santa Cruz, Berkeley, and Stanford. Three graduate students in music composition, Dion Nataraja, Mat Muntz, and Peter Shin will join Professor Matthew Schumaker from Santa Cruz, Edmund Campion from CNMAT, Jarek Kapuscinki from Stanford, and Ken Ueno from Berkeley, Richard Dudas from Hanyang University in Seoul, in creating and premiering new works for live electronics a
Composer Fred Lerdahl (Bloch Lecturer, UC Berkeley 2011) leads a working group at CNMAT this Spring 2024 to discuss his music alongside his music theory and cognition texts.
Fred Lerdahl’s music is admired for its original harmonic syntax and formal processes, striking ideas, elegant craftsmanship, and expressive depth. His work seeks and achieves both complexity and intelligibility. It is indebted to the past yet committed to the exploration of new territory.
The composers and sound designers David Monacchi and Nicola Casetta are in residency at CNMAT this week. The schedule for the week inlcudes:
Tue, Feb 27, 2pm: Masterclass by Casetta on sound design with feedback
Fri, Mar 1, 3pm: Colloquium by Monacchi on his project Fragments of exctinction ( https://www.fragmentsofextinction.org)
Fri, Mar 1, 8pm: Concert
DAVID MONACCHI
Hélène Papadopoulos is a pianist known for her intricate and sensitive interpretations who possesses a transversal vision of music creation and performance. She embarks on her residency at CNMAT to delve into the legacy of American keyboardist Rosalyn Tureck (1913-2003) for Bach performance in the 21st century. She is commissioning new works from living composers inspired by Tureck’s perspective, fostering a dialogue between tradition and innovation in Bach's performance.
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Jeremy Wagner, Technical Director at CNMAT, has received a 2024 Chancellor's Outstanding Staff Award, one of the highest honors given to UC Berkeley staff.
Composer, performer, and sound designer, Jeremy Wagner has served as Research Composer and Technical Director at CNMAT since 2016, providing sound & video engineering support for CNMAT concerts & events while mentoring graduate composers in a wide range of production technologies.
From April 20th to 27th, La Nuit Sauve, by Etienne Chambaud, will show at CuratingAI at the 120710 gallery in Berkeley. Graduate student Luke Dzwonczyk worked with Etienne to create the sound of the installation, which uses Carmine Cella's Orchidea software to endlessly generate orchestrations of the film's sounds.
